#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Shanghai. 1936. Crossroads of the world and into this city of political intrigue comes Sofia, a Russian Countess who, with the remains of her family, has been left stateless by the Revolution. Forced by her reduced circumstances to support herself and her family as a bar-girl and taxi dancer, Sofia forms a relationship with Jackson, a blind former diplomat who opens an elegant bar; The White Countess. Their curious relationship matures but they are caught up in the fall of the city to the Japanese invaders.
Plot: Iin 1930s Shanghai, ‘The White Countess’ is both Sofia—a fallen member of the Russian aristocracy—and a nightclub created by a blind American diplomat, who asks Sofia to be the centerpiece of the world he wants to create.
Smart Tags: #jazz #shanghai_china #trumpeter #clarinetist #hong_kong_china #horseback_riding #army #dancehall #sailor #soldier #year_1937 #shanghai #countess #diplomat #russian #japanese #refugee #love #friendship #dancing #bar_girl
|6.6/10 Votes: 6,549|
|6.7 Votes: 53 Popularity: 6.691|
An in-depth look at The White Countess
The White Countess achieves the “perfect balance of romance and tragedy.” It is the story of two broken souls who each end up being the remedy to the other’s fall from grace. While this description may not point to anything extraordinary on its own, Natasha Richardson (Countess Sophia Belinsky) and Ralph Fiennes (Todd Jackson) dazzle us with outstanding performances in this final Merchant-Ivory film. Superb acting, complex characters, and visually stunning sets make for a realistic, timeless five-star drama.
Ralph Fiennes plays the role of Todd Jackson, a disillusioned American ex-diplomat. The loss of his family and vision to Chinese-Japanese political turmoil destroy his hopes and prospects for the world. The disappointment in the stagnant progress of the League of Nations drives Jackson away from the desperate political scene, and he attempts to shut out all reminders of an uncontrollable painful world. He goes on spending his time frequenting Shanghai’s classiest bars, surrounding himself in luxury and warmth. He finds friendship in a Japanese man named Matsuda who shares his dreams to create the perfect bar. People warn Jackson that Matsuda is a feared political revolutionary; however, this has no impact on their relationshipJackson has completely shut the doors to the outside world. Fiennes expertly sticks to his character delivering the heavy, demanding lines with eloquence while appearing to be truly blind.
In his quest to create this perfect bar he runs into Countess Sophia Belinsky a Russian Aristocrat who has fled to Shanghai escape the Bolshevik Revolution. She is living with her late husband’s family and her daughter, Katya. She single-handedly supports them by prostituting herself despite their assailment and complete lack of gratitude. Jackson finds in her the perfect balance of romance and tragedy and asks her to be the centerpiece of his bar and names it of her. Natasha Richardson emanates a deep sadness and longing for a once beautiful world and lets the audience feel what Jackson finds in Countess Sophia.
The two of them succeed in creating their own controllable world. With the right music, the right crowd, and a sense of political tension, Jackson feels he has made his dream come true. However, at the end of the night, Countess Sophia must return to the slums and the outside world with all its troubles and other unpredictable variables. As Jackson’s relationship with Sophia develops, he begins to realize the impracticality of his “heavy doors”. This accompanied with Matsuda’s luring of a “broader canvas” slowly cause Jackson to emerge from his shell. At the end of the film, Jackson and Sophia return to the outside world together with a new hope found in one another.
The themes of isolation and alienation are rampant in this film and occur on many levels. Sophia is shut off from her family and eventually abandoned because of her disgraceful job. Jackson is blind physically and mentally from the real world. They are strangers in a foreign country, a country whose sole foreign policy for the past several centuries has been isolationism (they built a wall to keep people out). These instances are not simply strewn about but are intricately woven into the plot to create a deeper, more meaningful story.
The White Countess explores devastation and new hope, heartbreak and new love, and shows us the hopelessness of walls and cages. We can always close our eyes but that doesn’t mean everything around us will disappear.
A Broader Canvas with Big, Heavy Doors
Greetings again from the darkness. One can always count on a Merchant/Ivory film to appear soft and flowing on the outside and explosive on the inside with a pinch of unrequited love on the side. The misleading smile on Ralph Fiennes face and the gentleness of Natasha Richardson mask the inner turmoil only to themselves.
Fiennes plays Todd Jackson, an infamous former U.S. diplomat who worked wonders with the Chinese government. Sadly his life took an awful turn when he was blinded and his daughter killed during a tram bombing. His life a mess, Jackson “sees” his idea for an entertainment establishment in his head. Once he has secured the funding, he selects his “centerpiece” … former Russian Countess Sophie (Richardson). Their business relationship is highly successful but does nothing to help Richardson’s torturous family situation. Watching their worlds collide, with an assist from warring nations is a slow and painful ride.
Richardson is simply terrific and elegant as Sophie. Her scenes with Fiennes and her scenes with her family are magnificent and powerful. The only thing preventing the film from being truly top notch is the over-reliance on subtlety in the Fiennes/Richardson relationship.
Outstanding support work is provided by Hiroyoki Sanada as the mysterious Mr. Matsuda, but the real treat for film lovers is the opportunity to see Lynn and Vanessa Redgrave together on screen. As is customary for Merchant/Ivory, the direction is a bit heavy-handed and dialog extremely limiting, but the strong performances allow the film to be very solid and watchable.
Original Language en
Runtime 2 hr 15 min (135 min)
Genre Drama, History, Romance
Director James Ivory
Writer Kazuo Ishiguro
Actors Ralph Fiennes, Natasha Richardson, Vanessa Redgrave
Country United Kingdom, Germany, China, United States
Awards 2 nominations
Production Company N/A
Sound Mix Dolby Digital
Aspect Ratio 1.66 : 1
Camera Arriflex 535B, Cooke S4 and Angenieux Optimo Lenses
Laboratory Atlab Film Laboratory Service, Sydney, Australia
Film Length 3,744 m (Portugal, 35 mm)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm (Kodak Vision 2383)