#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Jiro dreams of flying and designing beautiful airplanes, inspired by the famous Italian aeronautical designer Caproni. Nearsighted from a young age and unable to be a pilot, Jiro joins a major Japanese engineering company in 1927 and becomes one of the world’s most innovative and accomplished airplane designers. The film chronicles much of his life, depicting key historical events, including the Great Kanto Earthquake of 1923, the Great Depression, the tuberculosis epidemic and Japan’s plunge into war. Jiro meets and falls in love with Nahoko, and grows and cherishes his friendship with his colleague Honjo.
Plot: A lifelong love of flight inspires Japanese aviation engineer Jiro Horikoshi, whose storied career includes the creation of the A-6M World War II fighter plane.
Smart Tags: #earthquake #tuberculosis #aeronautics_engineer #1930s #dream_sequence #aviation_engineer #world_war_two #telegram #telephone_call #kimono #slide_rule #biomimicry #secret_police #flight #rain #downpour #train #based_on_real_events #ends_with_text #ends_with_dedication #studio_ghibli
|7.8/10 Votes: 74,405|
|7.8 Votes: 1929 Popularity: 22.867|
Half an engineer, half a poet, eternally a dreamer
… maybe that’s Miyazaki’s secret, finally unveiled in his latest movie: “The Wind Rises”.
You know, it’s been three months since I discovered his work and I never had to experience any kind of disappointment. And although I got used to his unequaled capability to catch my eyes and my heart, some of his movies really hit a sensitive chord, like “Kiki” or “Ponyo” and perhaps the action-less moments of “Nausicaa”.
But I can’t really describe the effect “The Wind Rises” had on me. For one thing, I’m glad I’m discovering it late because it’s the film that best captures Miyazaki’s love for airplanes. His passion never went unnoticed; how could it be? Almost half of his movies involve airplanes, flying devices or stunts in the air, but there has always been an element of fantasy that distracted from the personal approach he had to flying, even in “Porco Rosso” which was the most explicit homage to the Italian contribution to aviation.
But “The Wind Rises” made me realize how fantasy is perhaps the sincerest medium to convey passionate matters, because -to put it simply- it’s all about dreams and vision that wait for the right wind to carry them a little and give them that extra push they need for flying. “The wind has risen, one must try to live” is the excerpt from Paul Valéry’s poem that novelist Hori Tatsuo used as an inspiration for a tragic romance, and who else than Miyazaki could explore such a story, he who had dedicated all his life to things in the air, from feelings to plain things (pun intended). One thing he had in common with Jiro Horikochi, the main protagonist.
The film deals with planes in a way that has never been touched by Miyazaki, it’s not about flying but about the dreams of flying, their very blossoming in the fertile soil of a man’s mind. In fact, the film is less devoted to planes than to the devotion of a boy, then a man, who designed the Imperial Army’s most notorious aircraft. They were used in the war but the film has a point to make about war. Miyazaki believes in Jiro’s humanism and expresses it through very riveting dreamy moments. Jiro is a dreamer, literally, and whenever he dreams, he meets his all-time idol, Italian Giovanni Caproni. Together they share their views about planes, their universal appeal and sadly their belligerent uses (or misuses).
But don’t get it wrong, just because it’s in the poetic vicinity of Miyazaki’s usual works, the film is as realistic as any serious biography picture, although fictionalized with a romance adapted from the “Wind Has Risen” novel and many events that struck Japan from the Great Depression to Kanto’s earthquake, and last but not least, the war. Jiro is portrayed as a witness of his time who must adapt to the evolution of society, a two-pace society with a feudal heritage yet trying to match the Meiji dream. The most emblematic image is the prototype being pulled by ox. This is Miyazaki’s most personal film, it has Japan, it has humanism and well, it has planes.
And to give you an idea, this film is far more revealing about Jiro than “A Beautiful Mind” with John Nash. There was something so catching in Jiro’s passion, in the way he kept focused on his job. I could even feel I was venturing into his mind as if Miyazaki met him in his dreams before making this film. I have no clues about planes but I do love a movie about passion, this is a film about a man who loves planes by a man who loves them. To judge a good biopic, I guess it all comes to the area of passion driving the maker. Having thick glasses, Giro could never fly but Caproni almost rhymes with epiphany, the Italian icon tells him that he can’t even fly a plane, but there’s just something far more exhilarating than creating. And Miyazaki wouldn’t disagree.
The heart of the film is centered on the romance between Jiro and a gentle tuberculosis stricken girl, like Hori’s wife who inspired the novel. And whenever they meet, the wind rises and make their encounter possible. Air is our universal heritage, in the film, it reunites people and give a proper meaning to their life. This air so fragile in “Nausicaa”, this air that symbolizes peace in a world that prepares to war and about which the post-apocalyptic Nausicaa warned us. Miyazaki signs his best film. I enjoyed it so much it could have been twice longer, to the post-war period time.
But the film culminates with the tragic ending and doesn’t show much of the war. It is anticlimactic to use a technical term, but I guess it’s a fine ending because there wasn’t much to add about Jiro once he designed the prototype, once the plane that started as a concept hidden behind a fish bone became a technological marvel. The film is dedicated to the engineer and to the poet. And the verse “The Wind Rises, one must try to live” is so beautiful it could work as an epitaph for Hayao Miyazaki, summing up his best contribution to animation: inviting us to dream, to pursue our dreams and to take them seriously like a poet, a bit like an engineer, always like a dreamer.
This is one of the greatest animated movies of recent times, and given how critical I was about “Frozen”, I was shocked that it won the Oscar. From what I read, there was some controversy surrounding the peaceful nature of Jiro, a sugarcoating of the war and an overuse of smoking. I’d say “The Wind Rises” deserved better than being beaten by a film that tried to play the “socially relevant” card to death. But the masterpiece flies over “Frozen” like a zeppelin over a fish bone.
Gorgeous whitewash, but whitewash nonetheless
“The Wind Rises” is a beautifully crafted and highly enjoyable movie. Its story of an obsessively brilliant young man given to dreaming extravagant dreams and then actually realizing those dreams is timeless. When viewed purely as a cinematic experience, “The Wind Rises” is an achievement of a very high order.
Unfortunately, the film has two significant flaws. First, the handling of the character of the movie’s protagonist, Jiro Horikoshi, is regrettable. Jiro is portrayed in uniquely heroic terms. From an early age, we see him acting with the utmost virtue under any and all circumstances — rescuing young children from bullying, carrying a woman for miles and miles on his back in the aftermath of an earthquake, etc. Given the complexity of the animation, this oversimplification of Jiro’s character is jarring and his portrayal sometimes becomes mawkishly sentimental and irritating.
More significantly, this film glorifies the work and life of a designer of military airplanes that were used to kill many thousands of people. In scene after scene, the Japanese military-industrial complex of the 1930s is portrayed as employing a wonderfully sincere and good-natured group of men who were ready to roll up their shirtsleeves and work day and night to build “beautiful planes.” The passing references to what those planes would be used to do, to the devastation of war, are noticeable but have little impact on the viewer. Bathed in the warm glow of Miyazaki’s incredible animation, the audience feels the few brief references to war and devastation as if they were mild bumps on a very smooth airplane flight.
The scenes of Jiro and his colleagues when they visit pre-war Germany are quite telling in this regard. Although the scenes in Germany do include some highly controlling German behavior, as well as a scene of someone being pursued at night by a gang of well-dressed thugs, not one single swastika is shown during perhaps 20 minutes of footage. The word “Nazi” is never uttered. Although the name “Mr. Hitler” is uttered much later in the film during a conversation Jiro has with a German at a Japanese resort — the man has a very large nose and is perhaps a regrettable caricature of a Jewish person — the name “Mr. Hitler” is spoken only once and with complete neutrality, as if Jiro is saying the name “Mr. Smith.”
This movie’s brief allusions to wartime devastation and its omission of any mention of Japan and Germany’s heinous ideologies greatly compromised my experience. It portrays Jiro, an enabler of terrible worldwide aggression, in the most heroic and reverent terms. If for domestic Japanese political or commercial reasons Miyazaki could not offer a more realistic and balanced story of Japan’s preparations for, and its predations during, World War II, then he should have chosen a different subject for his film. This comic book fantasy-adventure left me angry and sad, and for all the wrong reasons.
Original Language ja
Runtime 2 hr 6 min (126 min)
Genre Animation, Biography, Drama, History, Romance, War
Director Hayao Miyazaki
Writer Hayao Miyazaki (comic), Hayao Miyazaki (screenplay)
Actors Hideaki Anno, Hidetoshi Nishijima, Miori Takimoto, Masahiko Nishimura
Country Japan, France, USA
Awards Nominated for 1 Oscar. Another 26 wins & 53 nominations.
Production Company Studio Ghibli, Walt Disney Animation
Sound Mix Dolby Digital (Mono)
Aspect Ratio 1.85 : 1
Laboratory Imagica Corporation, Shinagawa-ku, Tokyo, Japan
Film Length N/A
Negative Format Digital
Cinematographic Process Digital (source format), Digital Intermediate (2K) (master format)
Printed Film Format 35 mm (Kodak Vision 2383), D-Cinema