#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Christopher Emmanuel Balestrero – Manny to his friends – is a string bassist, a devoted husband and father, and a practicing Catholic. His $85 a week gig playing in the jazz combo at the Stork Club is barely enough to make ends meet. The Balestreros’ lives will become a little more difficult with the major dental bills his wife Rose will be incurring. As such, Manny decides to see if he can borrow off of Rose’s life insurance policy. But when he enters the insurance office, he is identified by some of the clerks as the man that held up the office twice a few months earlier. Manny cooperates with the police as he has nothing to hide. Manny learns that he is a suspect in not only those hold ups, but a series of other hold ups in the same Jackson Heights neighborhood in New York City where they live. The more that Manny cooperates, the more guilty he appears to the police. With the help of Frank O’Connor, the attorney that they hire, they try to prove Manny’s innocence. Regardless of if they manage to prove Manny’s innocence or find the actual hold-up man, the situation may cause irreparable damage on the Balestreros.
Plot: In 1953, an innocent man named Christopher Emmanuel “Manny” Balestrero is arrested after being mistaken for an armed robber.
Smart Tags: #innocence #trial #new_york_city #mistaken_identity #based_on_true_story #based_on_novel #year_1953 #1950s #insurance #musician #catholic #robbery #wrongly_accused #judiciary #judicial_system #judicial #three_word_title #true_crime #queens_new_york_city #false_accusation #psychosis
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Disquieting, a steely Fonda, and amazing Hitchcock. But it might make you edgy.
The Wrong Man (1956)
There’s no question Alfred Hitchcock has pulled off something amazing here, a kind of experiment. Entirely based on true events, and without any sense of chase, romance, or high intrigue, and without special effects or even witty dialog, he makes you feel for the main character, Henry Fonda, a man accused of a crime he did not commit.
It’s often pointed out that Hitchcock had an enormous fear of the police, and of being accused when innocent. This shows up in many of his films, but never more clearly or more painfully than here. To watch is an adventure in frustration, almost to the point you have to turn it off. But of course, you can’t just get up and leave. You have to know what happens.
And the turns of events are so reasonable and yet so unbearable, you just want to get up there and say, do this, do that! It’s weird to say, this is not an enjoyable movie. But it’s a very good one, maybe flawless in its attempt to trap you as much as the main character was trapped. The surrounding cast is terribly believable, the cops, the wife, the kids. And it unfolds with such dramatic relentlessness. The camera angles (thanks to Robert Burks) are psychologically intense (and edited for discomfort). And the music (Bernard Herrmann, soon to score Psycho) only adds more tension.
Beautifully. As an exercise in precision, and in sticking to the facts, this is as good as a dramatic (non-documentary) film can get. Wikipedia has a small amount of helpful information, and tcm.com has a lot (click on articles or reviews on the left for a range of texts). But of course, watch it straight. See some period New York City scenes (from streets to jails to what looks like the amazing 57th St. bridge at dusk). A wonderful, if not uplifting, movie.
Original Language en
Runtime 1 hr 45 min (105 min)
Rated Not Rated
Genre Drama, Film-Noir
Director Alfred Hitchcock
Writer Maxwell Anderson (screen play), Angus MacPhail (screen play), Maxwell Anderson (story)
Actors Henry Fonda, Vera Miles, Anthony Quayle, Harold J. Stone
Awards 1 win & 1 nomination.
Production Company Warner Bros.
Sound Mix Mono (RCA Sound Recording)
Aspect Ratio 1.85 : 1
Laboratory Warner Bros. Studio Laboratory, USA
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm