Thelma 2017 123movies

Watch: Thelma 2017 123movies, Full Movie Online – Having just enrolled at a university in Oslo against her stern parents’ will, the sheltered Biology freshman and devout Christian, Thelma, leaves for the first time the isolated Norwegian countryside, to start a new life away from home. Tangibly lonely, a casual conversation and one unexpected friendship with the beautiful fellow student, Anja, will broaden Thelma’s hazy horizons; however, as the glacially alluring misfit wrestles with an onslaught of novel feelings, little by little, an unprecedented psychosomatic manifestation of repressed emotions start to take over. Indeed, a mystery cloaks soft-spoken Thelma’s past, and the more she struggles to renounce her nebulous desire, the more violent becomes her quivering awakening. Can Thelma unearth a denied truth behind the stinging temptation?.
Plot: A college student starts to experience extreme seizures. She soon learns that the violent episodes are a symptom of inexplicable abilities.
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Ratings:

	7.0/10 Votes: 32,978
	92% | RottenTomatoes
	74/100 | MetaCritic
	N/A Votes: 822 Popularity: 19.122 | TMDB

Reviews:

It’s a pretty artistic film with lots of silence and many pictures. At times it can be difficult to tell the difference between dream and reality.

While the scenes help build up suspense and many things are cleared up towards the end of the movie, the ending was unsatisfactory. Once the secret is revealed, the character takes some questionable actions. Actions that seem like the introduction to a super villain movie.

It’s not a film I’d watch again, but not a film I’d consider a waste of time. I might give the viewers something serious to talk about.

He has an interesting story. I don’t understand the last part, but maybe I need to watch it one more time, but it attracts you.

Seizure warning
The film was excellent but they seriously need a seizure warning somewhere.

THELMA is Trier’s stern-faced take on the thematic dissection of embracing one’s true id and freeing oneself from any extraneous shackles
A sexually awakening meet-cute laced with a preternatural conceit from Norwegian filmmaker Joachim Trier, THELMA, his fourth feature, instantly emits an uncanny thrill through its preamble with a frozen river, a doe-eyed deer and a rifle surprisingly pointing at a young girl’s head by her father.

The girl is Thelma (Harboe), now an undergraduate in Oslo, but still in thrall to her parents’ over-frequent telephone calls concerning her quotidian whereabouts, and her rigid Catholic upbringing doesn’t quite chime in with her peers. Afflicted by epileptic fits, which mystically coincide with the presence of a fellow student Anja (Wilkins), to whom she feels attracted. Their inchoate romance hits an abrupt and unexplained abeyance when Thelma is under treatment of a triggered seizure for medical checkup. Guilt-driven by Anja’s unaccountable vanishing, Thelma retreats to home and childhood tragedy resurfaces, and the film manages to find a way out for her with a confluence of sacrifice and miracle, garnished with a pinch of numinous enlightenment, which renders its empowering ending a puff of absurdity that might not be appreciated by everyone.

Trier grandly sinks his teeth into fabricating an atmospheric eeriness that permeates throughout Thelma’s rude-awakening, even in the prosaic campus environs: a luminous library assailed by an avian outsider, a natatorium where terror of seclusion and drowning taking a spectacular visual form with flying colors and Thelma’s dormitory building, lit by nocturnal luster where eldritch menace seeps from within. Thelma’s rite-of-passage, from religious and familial suppression to physical arousing, until a final mental liberation, is conveyed with eloquence (a cracking tantalizing sequence amalgamated with a bringing-down-the-roof trepidation during a modern dance performance) and innovation (metaphors and animal symbols are deployed in good senses, whether it is the deer in the opening, the slithering snake in the psychedelic mid-stream, or the black bird purged near the end), though one might grouse that the student’s life is pedestrianly exemplified by a strobing nightstand, casual get-togethers deadened by alcohol and smoke.

A convulsing (often in its literal sense) and pulsating Eili Harboe makes good in the center stage with both mettle and competence, but Kaya Wilkins’s Anja is deficient in any thumbprint other than propelling the plot development in the mode of a hapless love interest, both Henrik Rafaelsen and Ellen Dorrit Petersen are swell as Thelma’s conflicting parents, often muddling the water of the saint-or-sinner dichotomy. In the event, THELMA is Trier’s stern-faced take on the thematic dissection of embracing one’s true id and freeing oneself from any extraneous shackles, it is a bracingly crafted parable with one proviso, SPOILERS AHEAD!!!, that if one can live down with the key placement of a dead toddler in its moral conundrum that eventually peters out in its gnomic reconciliation.

Other Information:

Original Language no
Runtime 1 hr 56 min (116 min)
Budget 5741614
Revenue 1471656
Status Released
Rated Not Rated
Genre Drama, Fantasy, Horror
Director Joachim Trier
Writer Eskil Vogt, Joachim Trier
Actors Eili Harboe, Kaya Wilkins, Henrik Rafaelsen
Country Norway, France, Denmark, Sweden
Awards 15 wins & 47 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital
Aspect Ratio 2.35 : 1
Camera Arri Alexa, Arri Alexa (Cooke Anamorphic/i Lenses)
Laboratory N/A
Film Length N/A
Negative Format 35 mm
Cinematographic Process /i Scope (anamorphic) (source format), Digital Intermediate (master format)
Printed Film Format Digital (Digital Cinema Package DCP)