Things You Can Tell Just by Looking at Her 2000 123movies

Watch: Things You Can Tell Just by Looking at Her 2000 123movies, Full Movie Online – Five loosely-intertwined stories of the emotional issues facing individual middle-aged Angelenas are presented. In “This Is Dr. Keener”, physician Elaine Keener is spending the day taking care of her invalid mother at home on the nurse’s day off. Elaine, a scientist, seeks confirmation on a possible turning point in her life by an unconventional means, namely a tarot card reading. Although the news she receives through the reading is a largely-accurate assessment of her current life, it is the news about that crossroads issue that takes her somewhat aback. In “Fantasies About Rebecca”, 39-year-old Rebecca Waynon is outwardly in control of her life, from her job as a bank manager to her personal long-term relationship with older Robert. A homeless woman named Nancy who hangs around outside the bank seems to have a clearer picture of what is truly happening with Rebecca than Rebecca herself, as is witnessed by Rebecca’s ultimate reaction to an action in dealing with a personal issue. In “Someone for Rose”, divorced mother Rose’s life is focused on making sure her 15-year-old son Jay is becoming a respectable young man. Between that and her new work as a writer of children’s books, Rose doesn’t seem to have time to look for love, which changes when Albert, a diminutive, moves in across the street. In “Goodnight Lilly, Goodnight Christine”, lesbian couple Christine and Lilly discuss their relationship–past, present and future–as they deal with Lilly’s terminal illness. And in “Love Waits For Kathy”, police detective Kathy Faber lives with her blind sister Carol Faber. Although Carol has an active life–social and professional–and is more than capable of managing on her own as she is highly perceptive, Kathy, under the surface, treats Carol with kid gloves to make sure she’s all right in dealing with life considering her physical disability. As such, Kathy has let her personal life largely slip by her. But is it too late for Kathy?.
Plot: In California, a group of women struggle with personal problems as their paths intertwine in unexpected ways. Dr. Elaine Keener, the sole caretaker for her aging mother, turns to tarot card reader Christine for spiritual aid. Christine grapples with her own angst due to her lover’s debilitating illness. Meanwhile, a bank manager deals with an unwanted pregnancy, two sisters pursue romantic interests and a housewife gets back into the dating game.
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Ratings:

	6.5/10 Votes: 7,116
	76% | RottenTomatoes
	76/100 | MetaCritic
	N/A Votes: 69 Popularity: 10.277 | TMDB

Reviews:

crazy title – beautiful film
Writer/director Rodrigo Garcia’s feature film debut “Things You Can Tell Just by Looking at Her” might have a jarring, if too long, title, but the son of Gabriel Garcia Marquez presents a passionate work of cinematic fiction. The film presents several short stories; snapshots of women at a crossroads. One story is of a doctor who has lost sight of spiritual meaning in her life, and has elicited the assistance of a tarot card reader to help her find her way. This card reader may assist people with getting through the future with clarity, but she has one foot in the past as she watches her girlfriend succumb to a debilitating disease.

Each story intersects and overlaps the others in unique and interesting ways. The all-star cast of female talent bring to their deliberately under drawn characters some of their strongest performances, especially Calista Flockhart (at the time, fresh from “Ally McBeal”) who provides her psychic character with fairy-like innocence, Kathy Baker who brings good-natured humorous curiosity to a role that could have quickly become a sociopath stalker, and Holly Hunter in an understated performance as a bank owner who contemplates the ramifications of motherhood on her life.

Loneliness and making connections
Things you can tell just by looking at her

In Things you can tell just by looking at her we meet several women who for different reasons seem to be playing bit parts in their own lives. One of them takes care of her mother in a big lonely house, Rebecca stops listening to her own feelings because a baby does not fit into the life of her married lover, Rose discovers that her son is growing up, Calista’s girlfriend is dying and ? takes care of her blind sister.

After watching the film I thought: what does this film want to tell us about women? Or perhaps people in general. Some of the lines in the film stuck in my mind: The blind girl says about the woman who committed suicide: `I bet you could tell just by looking at her that there was a man involved.’ When giving this line some thought I starting seeing the film as a comment on `loneliness’ in general. What do people really want? They want to be involved with people. They want other people to see them.

The film suggests that when people don’t depend on anyone anymore when they have no one `to be’ for – they chose to actually become nothing to die. The loneliness at the heart of existence is too hard to bear. I think the film is about the nature of making connections and being involved with other people although it is painful and sometimes lead to self-sacrifice. It shows us the horror which is tied with the fear of being left alone, although the connections which are made does little to remove the feeling of loneliness. It is the horror of a stranger walking into your personal sphere and immediately being able to see through you and see what lies beneath the surface. It is the horror of revealing your interest in other people – looking in on other peoples lives, in a desperate attempt to connect and to become involved. It is the horror of becoming involved with someone who cannot stay, the horror of losing those whom you connect with. When you are involved, and when you connect with someone, you face the danger of being hurt, being dumped – of sacrificing your own life in your care for others. It is the horror also that your sacrifice is not appreciated, the horror that when you are no longer a lover or a mother then you will certainly become nothing that your identity is so intricately tied with the dependence of those who need you that you cannot be `you’ if they don’t need you anymore. It is ultimately the horror of being defined by relations of interdependence where the people you care for in effect give you identity. It is the horror that you really are nothing without other people to mirror yourself in.

Why is this form of `self-sacrifice’ then particular to women? We learn from Walter’s daughter that when he really gets involved `He dumps them like a hot potato’. Are women victims and easy to exploit? Rose’s teenage son confides that people `are always’ looking for someone. But is the act of making these connections and becoming involved truly more important to women – truly more essential in their attempt at becoming someone – of gaining an identity. Are women always characterized by either being cared for or being the ones who take care of others? Interestingly, none of these women are wives – they are defined by other types of relationships than those that arise between man and wife.

I do not think I can answer these questions and I don’t think the film wants to answer them either. But I think the film is a point of departure for discussing the nature of being – and the way we all perhaps depend upon others in order to become.

7/10

Other Information:

Original Language en
Runtime 1 hr 49 min (109 min)
Budget 0
Revenue 1433668
Status Released
Rated PG-13
Genre Drama, Romance
Director Rodrigo García
Writer Rodrigo García
Actors Glenn Close, Cameron Diaz, Calista Flockhart
Country United States
Awards Nominated for 1 Primetime Emmy. 2 wins & 1 nomination total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital, Dolby SR
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory N/A
Film Length 3,070 m (Spain)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm