#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Americans abroad. Roy and Jessie finished a volunteer stint in China. He loves trains, so they go home via the Trans-Siberia Express. There are strains in the relationship, including her past. They meet Carlos, a Spaniard, traveling with Abby, a young American. Carlos keeps close to Jessie, and when Roy is left behind and waits a day for the next train so he can catch up, Jessie and Carlos take a trip into the dead of winter to photograph a ruined church. Carlos may be running drugs, so, later, when Roy catches up and introduces Jessie to his new pal, an English speaking Russian narcotics detective, he’s the last person Jessie wants to see. Will the Siberian desolation be their undoing?
Plot: A TransSiberian train journey from China to Moscow becomes a thrilling chase of deception and murder when an American couple encounters a mysterious pair of fellow travelers.
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|6.7/10 Votes: 51,010|
|6.4 Votes: 461 Popularity: 16.188|
Spain | Germany | UK | Lithuania co-production compellingly shot by magnificent filmmaker Brad Anderson
This nail-biting film packs mystery , plot twists , violence , suspense in a dark atmosphere with imposing tension and intrigue . It deals with a Trans-Siberian train (at eight days, the Transsiberian Express from Beijing to Moscow is the world’s longest train journey) voyage from China to Moscow becomes a thrilling chase of deception and murder when an American couple (Woody Harrelson , Emily Mortimer who can speak Russian in real life) encounters a mysterious pair (Eduardo Noriega , Kate Mara) of fellow travelers . Meanwhile , a narcotics inspector (Ben Kingsley was director Brad Anderson’s first choice for the role) is investigating a drug smuggling .
Intriguing film contains thrills , chills , suspense , twists and turns , and results to be quite entertaining . The atmosphere and perverse intrigue enhance as well as the relationship among two couples develops . The picture was partly inspired from director Brad Anderson’s youth when he did in fact ride the Transsiberian Express . Among the references that Brad Anderson drew on were the films North by Northwest , Strangers in a train , The lady vanishes , Runaway train , Dead calm and the book “Crime and Punishment” . Transsiberian had the misfortune of opening on the same weekend as Dark Knight , the second biggest film in history. The real starring Emily Mortimer is acceptable as a depressed and former ¨bad girl¨ who leads herself a madness spiral and killing , Eduardo Noriega is pretty good as a suspicious young with dark secrets ; both of whom play two gloomy characters . Furthermore , top-notch Ben Kingsley as a tough Police Inspector and brief acting by German Thomas Kretschmann as Kolzak . Xavi Gimenez cinematography is excellent creating a frightening and scary atmosphere , he’s expert on sombre photography (Fragile , Intact , Nameless) , being stunningly shot on location in China , Vilnius , Lithuania and Russia . Mesmerizing and intriguing musical score by Alfonso Villalonga (My life without me , Snow white , Princesses) . The flick was finely produced by the chairman of Filmax Productions , Julio Fernandez along with his brother Carlos Fernandez as executive producer , they’re two successful producers and experts on terror genre , producing a lot of hits , such as ¨The machinist¨, ¨Rec ¨1¨, 2¨ and ¨3¨ , ¨Fragiles¨, ¨Darkness¨, ¨El perfume¨ , ¨The nun¨ , ¨Backwoods¨ and many others .
The motion picture was well written and directed by Brad Anderson . He is a good filmmaker who has directed thought-provoking and thrilling films such as ¨Happy accidents¨ , ¨Session 9¨ , ¨The machinist¨ , and ¨The call¨ his last film starred by Halle Berry . Transsiberian , rating : Good and above average, it’s one the highest earning suspense picture of the last years ; it is an astounding film with tension , blood, shocks and violence .
A thrilless thriller…
Brad Anderson is one of those directors who everyone thinks they like until they look him up. Since getting attention with his creepy (but unsatisfying) Session 9 in 2001 his only feature of note was 2004’s The Machinist – a movie which will always remain more famous for the extraordinary physical transformation of its star (Christian Bale) than its effectiveness as a creepy thriller. This is partly because Bale’s emaciated form was genuinely mesmerising but mostly because the movie just isn’t very good. So, after a few years directing TV episodes, Anderson had something to prove with his latest – Transsiberian.
I’ve never really thought of Emily Mortimer as a leading lady. She’s always seemed either hopelessly insipid or appears to be battling some unrecognisable accent and a cold at the same time. It may come as a surprise then to learn that she is one of the best things about Transsiberian but unfortunately that statement comes with a number of disappointing caveats. In the film Mortimer and a mis-cast, toupee sporting Woody Harrelson play a husband and wife heading home to the US after completing charity work in China. In a decision which screams ‘bad choice’ to the ever watchful audience, they forgo a simple flight home in favour of the famous 8000 km rail journey through the snowlocked Russian wastes. Hence the title of the film.
What results is billed as a twisty action thriller, with multilayered secrets and lies and the familiar device of a claustrophobic location surrounded by scenic wilderness. This may not sound particularly original but, done well, it could amount to an enjoyable few hours of escapism. And, in fairness to the film, it starts well meandering slowly through the mystery laden landscape of character development, planting seeds of murky histories and maintaining a convincing sense of unease and displacement 2 American tourists in the time warp of undeveloped Russia. Events occur in a fashion that makes sense, uncomfortable situations get steadily worse and, around the time Ben Kingsley shows up as a Russian detective, everything seems on a wonderfully dramatic collision course with the revelations of the final act.
But then the ‘twists’ begin. Not twists in the normal thriller sense of the word but closer to the M Night Shyamalan meaning ie: twists that spoil a perfectly watchable film. The final act of Transsiberian dispels any sense of tension and unease by blowing the films internal logic to smithereens. I’m not suggesting for a second that the follies here are on the level of the denouement of Signs (or the entirety of Lady in the Water), but they do manage to bring the films momentum to a halt. Both The Machinist and Session 9 had problems with their endings, Anderson seems to believe that if everything doesn’t reach an overedited fever pitch he isn’t doing his job correctly. This is a shame as the deliberate but inexorable pacing of the plot was one of the films strong points.
Ultimately, Transsiberian is a missed opportunity. Some good performances and impressive cinematography are not enough to smooth over the eccentricities of the final act. It cannot maintain the tension well enough to be a thriller but is too mild to fall into the category of suspense/horror. If it is a drama about the fate of foreigners abroad then why does it descend into near Outer Limits territory towards the ending? Brad Anderson may well have potential as a talented filmmaker but so long as he continues to make films which are only halfway effective he will remain in that halfway obscure list of directors-you-have-to-look-up-on-IMDb.
Original Language en
Runtime 1 hr 51 min (111 min)
Genre Crime, Drama, Mystery, Thriller
Director Brad Anderson
Writer Brad Anderson, Will Conroy
Actors Woody Harrelson, Emily Mortimer, Ben Kingsley, Kate Mara
Country UK, Germany, Spain, Lithuania
Awards 2 wins & 11 nominations.
Production Company Telecinco Cinema, Filmax, Castelao Producciones S.A., Canal+ España, Scout Productions
Sound Mix DTS, Dolby Digital EX (as Dolby Digital Surround EX)
Aspect Ratio 2.35 : 1
Camera Arricam LT, Zeiss Master Prime Lenses
Laboratory ARRI Film & TV, München, Germany, IFilm, Barcelona, Spain (digital intermediate), Image Film S.A., Barcelona, Spain
Film Length 3,059 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak Vision2 250D 5205, Vision2 200T 5217, Vision2 500T 5218)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (source format)
Printed Film Format 35 mm (anamorphic)