Watch: Triple 9 2016 123movies, Full Movie Online – In TRIPLE 9, a crew of dirty cops are blackmailed by the Russian mob to execute a virtually impossible heist. The only way to pull it off is to manufacture a 999, police code for “officer down”. Their plan is turned upside down when the unsuspecting rookie they set up to die foils the attack, triggering a breakneck, action-packed finale filled with double-crosses, greed and revenge..
Plot: A gang of criminals and corrupt cops plan the murder of a police officer in order to pull off their biggest heist yet across town.
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|6.3/10 Votes: 72,949|
|54% | RottenTomatoes|
|52/100 | MetaCritic|
|N/A Votes: 1865 Popularity: 15.735 | TMDB|
> Combination of wrong path and untrustworthy troop.
This should have been the Holywood’s bad boys film. I mean the big cast names are expected like the earlier films of QT, or especially like ‘The Departed’. There were many who dropped out of it for various reasons prior to the production commence, although this cast did a great job. In my finding I blame for the screenplay. It was a good story, but the first half was not very interesting compared to the next half, which was so brilliant, especially towards the end, mind blowing.
It was a multi starrer film, only that’s much I know, but I kind lazy to count how many were there because I thought it was a modernised and an improvised cop version of the ‘Ten Little Indians’ theme. There’s no evidence to prove that, it is just my theory. But seeing all the deaths and the conclusion, I felt the inspiration to the writer might have been possible.
From the director of ‘Lawless’ who aimed for another success, but received backfire from critically and commercially. Mixed response from the audience though. Definitely it will find its own fans in the days and years to come. The ladies had scopeless roles, so they’re completely forgettable their existence the narration, except very often just appear to show the faces. But well made crucial parts, in all the action sequences which kind what back the films along with Casey and Harrelson’s parts.
Like there is a saying, ‘slow start, but ended strong’, this film belongs to the same category. If you hold your patience for nearly 2 hours long, in the end you might feel after all it was not a bad flick. So not recommended to everybody, at a same time not suggested to skip it without properly knowing about it. P.S, the closing credit song, the remix version of ‘Pigs’ by Cypress Hill was awesome considering the theme of the film, I mean the corrupted cops, but felt the words were strong.
An okay movie with some very impressive visual flourishes, but a narrative mess, and not up to par with Director Joh Hillcoat’s prior work.
_Final rating:★★½ – Had a lot that appealed to me, didn’t quite work as a whole._
It’s not a masterpiece, but it absolutely stands out in the landscape of the last few years productions. Triple 9 is gritty, hyperrealistic, dramatic, and cursed. No millennial fancies. Great acting, good direction. Solid. Surely worth a watch.
This isn’t a bad movie but it’s not brilliant
Triple 9 is a dark and gloomy story, which feels strongly inspired by Michael Mann’s Heat. Unlike Heat, the film/script doesn’t give the characters enough substance to make us care for their outcome in the film. The ordeals of the characters came and went without me feeling any real emotions towards any of them.
This isn’t a bad movie but it’s not brilliant. There are a few of gun battle/action periods that are really well shot and entertaining enough to keep you interested in the film as a whole. It’s not too predictable but there are not enough shocks or tense moments that you would expect from a thriller.
Original Language en
Runtime 1 hr 55 min (115 min)
Genre Action, Crime, Thriller
Director John Hillcoat
Writer Matt Cook
Actors Casey Affleck, Chiwetel Ejiofor, Anthony Mackie
Country United States
Awards 4 nominations
Production Company N/A
Sound Mix Dolby Digital
Aspect Ratio 2.35 : 1
Camera Arri Alexa XT M, Panavision G-Series Lenses, Arri Alexa XT Plus, Panavision Primo and G-Series Lenses, Arri Alexa XT Studio, Panavision Primo and G-Series Lenses
Laboratory Moving Picture Company (MPC), Santa Monica (CA), USA, Technicolor PostWorks, New York (NY), USA
Film Length N/A
Negative Format Codex ARRIRAW (2.8K)
Cinematographic Process Digital Intermediate (2K) (master format), Panavision (anamorphic) (source format)
Printed Film Format D-Cinema