
#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Set in 1999, a woman (Dommartin) has a car accident with some bank robbers, who enlist her help to take the bank money to a drop in Paris. On the way she runs into another fugitive from the law (Hurt), an American who is being chased by the CIA. The charges are false, he claims. They want to confiscate a device his father invented which allows anyone to record their dreams and vision. On the run from both the bank robbers and the CIA, the couple span the globe, ending up in Australia at his father’s (von Sydow) research facility, where they hope to play back the recordings Hurt captured for his blind mother. Set in the futuristic year of 1999, a subplot about a damaged Indian nuclear satellite crashing and causing the end of civilization is a puzzling addition to the film.
Plot: Set in 1999, Claire’s life is forever changed after she survives a car crash with some bank robbers, who enlist her help to take the money to a drop in Paris. On the way she runs into another fugitive from the law Dr. Farber, an American who is being chased by the CIA. They want to confiscate a device his father invented which allows anyone to record their dreams and visions. On the run they travel the globe from Berlin to Lisbon to Moscow to Tokyo, ending up in Australia at his father’s research facility, where they hope to play back the recordings Farber captured for his blind mother.
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You don’t know the half of it…
The first 2 times I saw this film (on video), I fell asleep before the end. I thought the beginning was great, though, so I kept at it. When I finally saw the whole thing, I still thought it was pretty good, although rather disjointed. On the whole, I would agree with many other Imdb user comments (too long, incoherent, two movies in one, excellent soundtrack, etc.) That was before I saw the _whole_ movie.I had been watching the 158-minute American version and the 179-minute European version (almost indistinguishable) I had heard about the 280-minute “Trilogy” version 4 or 5 years ago when it was screened at the American Cinemateque (sp?) and when I read that it was to be screened again Jan 14 at the Egyptian Theater in Hollywood, I figured that a 5-hour (with 2 10-min. intermissions) version would be bloated and slow. I couldn’t have been more wrong!
“Die Trilogie” version of “Bis ans Ende der Welt” (prepared for German released w/ no subtitles) was one of the best movies ever! The extra footage gave more room to the story, the music, and ultimately made for a much more coherent movie. The relationship between Claire and Eugene is better explained, among other things. The Indian satelite is not ignored, like in the “Reader’s Digest Version” (Wim Wenders’ term). Songs heard for 10 seconds originally are now presented in their full glory, including a previously deleted version of Elvis Costello’s “Days” performed by Solveig Dommartin, Chick Ortega, Ernie Dingo, Charlie McMahon, and David Gulpilil.
According to the director, this version will be released on DVD in Europe in 2001, and possibly in the USA before 2002. I hope everyone can have a chance to see the complete, non-mutilated version of this wonderful movie!
Full House Cheers Director’s Cut and Director at MoMA, March 7, 2015
Wenders’ near five hour film won its long delayed tribute this afternoon as a MoMA audience saw a superb technical and aesthetic tour de force. Shining through past his visionary use of animation (including dream-realization astonishingly close to contemporary science), his compassionate eye for character, his skill at keeping a sophisticated audience wanting to know what happens next, his unerring ear for the right music, is a quality of benevolence which, while not denying the existence of evil, gives it no purchase.And then there are the actors, who give skillful voice to ideas while providing breadth and nuance to the thousand odd tasks they are given. Wenders doesn’t avoid the sheer fun of having Rüdiger Vogler play an older Winter not morally improved but very adept at playing the harmonica. He pays homage to Ozu as well, casting Ryu Chishu and Miyake Kuniko in a perfect interlude which he admitted to creating for the purpose of casting Ryu.
Wenders spoke to the above and other issues after the film. On the music, he revealed he had written to such artists as Lou Reed and Patti Smith asking them to project their art ten years into the future (some twenty agreed and their songs are in the film, seeming more contemporary than the 1991 film date would suggest). He also described exhausting the still experimental Japanese digital technology (and technologists) which enabled him to create the film’s absorbing dreamscapes.
Very rewarding, too, seeing one of our great filmmakers get the standing ovation appropriate to his work on “Until the End of the World.”
Original Language de
Runtime 2 hr 38 min (158 min), 2 hr 38 min (158 min) (USA), 2 hr 59 min (179 min) (1991 European cut) (Germany), 4 hr 47 min (287 min) (2014 Director’s Cut)
Budget 23000000
Revenue 0
Status Released
Rated R
Genre Action, Drama, Sci-Fi, Thriller
Director Wim Wenders
Writer Peter Carey (screenplay), Wim Wenders (screenplay), Wim Wenders (original idea by), Solveig Dommartin (original idea by), Michael Almereyda
Actors Solveig Dommartin, Pietro Falcone, Enzo Turrin, Chick Ortega
Country Germany, France, Australia
Awards 3 wins & 2 nominations.
Production Company Warner Brothers, Village Roadshow Prod.
Website N/A
Sound Mix Dolby Stereo, LC-Concept Digital Sound (France)
Aspect Ratio 1.66 : 1
Camera N/A
Laboratory Atlab Film Laboratory Service, Sydney, Australia
Film Length 5,258 m
Negative Format 35 mm (Eastman), Video (HDTV) (some segments)
Cinematographic Process Sony High Definition Video, Spherical
Printed Film Format 4K DCP, 35 mm