Van Helsing 2004 123movies

Watch: Van Helsing 2004 123movies, Full Movie Online – Van Helsing is in the world to rid all evil, even if not everyone agrees with him. The Vatican sends the monster hunter and his ally, Carl, to Transylvania. They have been sent to this land to stop the powerful Count Dracula. Whilst there they join forces with a Gypsy Princess called Anna Valerious, who is determined to end an ancient curse on her family by destroying the vampire. They just don’t know how!.
Plot: Famed monster slayer Gabriel Van Helsing is dispatched to Transylvania to assist the last of the Valerious bloodline in defeating Count Dracula. Anna Valerious reveals that Dracula has formed an unholy alliance with Dr. Frankenstein’s monster and is hell-bent on exacting a centuries-old curse on her family.
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Ratings:

	6.0/10 Votes: 268,044
	N/A | RottenTomatoes
	35/100 | MetaCritic
	N/A Votes: 5046 Popularity: 41.886 | TMDB

Reviews:

***Big Dumb Blockbuster Monster Fun***

Although writer/director Stephen Sommers had an unexpected hit with 1999’s “The Mummy,” he went overKILL with the 2001 sequel “The Mummy Returns,” a prime example of modern blockbuster dreck that’s full of explosions and “exciting” things going on, but somehow is strangely boring. That’s the problem with 2004’s “Van Helsing,” although not as bad.

THE PLOT: In 1887 Van Helsing (Hugh Jackman) teams up with Anna (Kate Beckinsale) in Transylvania to fight Dracula, his three lovely but vicious brides, the Frankenstein monster, werewolves, vampire babies, etc.

It won’t take long for the viewer to perceive that “Van Helsing” shouldn’t be taken too seriously. It’s a partial parody/homage of the classic Universal monster movies and part serious, just barely. Imagine “Bram Stoker’s Dracula” (1992) with the over-the-top thrills of Indiana Jones and the flair of classic monster parodies like “The Vampire Happening” (1971) or “Young Frankenstein” (1974) and you’d have a good approximation.

The film looks good, but there’s too much CGI and some of the monsters look really cartoony, like Mr. Hyde and the werewolves. Others look quite good, like the flying vampire brides and Frankenstein’s monster. As was the case with “The Mummy Returns” the film is strangely tedious despite all the manic happenings. Thankfully, there are worthy hints of depth, e.g. the Frankenstein monster and Anna. I wish there was more.

Speaking of Anna, Kate Beckinsale is definitely one of the highlights here as she looks stunning throughout in an amazing form-fitting costume and thigh-high boots seemingly appropriate for the late 1800s (speaking as someone who’s not even a Beckinsale fan). Josie Maran and Elena Anaya are also striking as two of Dracula’s wives, Marishka and Aleera. Needless to say, excellent job on the female front. On the other side of the spectrum, Jackman is a great, masculine leading man, perfect for the role. Richard Roxburgh (Dracula), David Wenham (Carl), Kevin J. O’Connor (Igor) and Shuler Hensley (Frankenstein’s monster) are all entertaining or effective.

At the end of the day, though, “Van Helsing” barely rises above the limitations of what it is: a big, dumb modern blockbuster with all its over-the-top trappings. Considering the $160 million thrown into it, it shoulda/coulda been better. The story needed time to breathe and less constant mania. The movie’s also over-long at 2 hours and 11 minutes. Still, it’s better than “The Mummy Returns” and there’s enough here to make it worthwhile, if you’re in the mood for this type of fare.

THE FILM WAS SHOT in the Czech Republic, Rome and Paris with studio work done in Southern Cal and Orlando, Florida.

GRADE: B-/C+

Absinthe Actioner!

Van Helsing is written and directed by Stephen Sommers. It stars Hugh Jackman, Kate Beckinsale, Richard Roxburgh, David Wenham, Shuler Hensley, Elena Anaya, Will Kemp, Kevin J. O’Connor and Alun Armstrong. Music is by Alan Silvestri and cinematography by Allen Daviau.

Famed monster hunter Van Helsing (Jackman) is sent to Transylvania to stop Count Dracula’s (Roxburgh) fiendish plan involving the Frankenstein Monster and the Wolf Man.

Well it was universally savaged by the pro critics and is considered a flop. Yet whilst understanding those things, it does for a reason hold above average ratings on the big internet movie sites. It did find a market (and continues to do so), it’s like one big long MTV video, a sort of chaotic monster fun frolic in rock opera style.

It’s effects laden, which is no great thing since they are shoddy, and the dialogue is often as cringe worthy as some of the accents are. Yet it’s still a thrilling ride, a strap yourself in and run with it job, to be in the company of sexy lead actors in Gothic garb and devilish period surrounds.

Loud and boisterous for sure, and tacky at times, but exhilarating all the same for those after some pure escapist carnage. 5/10

Double-O Van Helsing, Superhero
First a word of warning. There are a number of people who would be best advised to avoid Van Helsing. If you dislike cgi, if you’re a purist, if you’re looking for something “realistic”, or if you’re looking for a slower-moving, understated film that’s a deep character study, you’ll more than likely hate this film.

Set around the turn of the 20th Century, Van Helsing features the titular hero (Hugh Jackman) taking a break from his usual “monster slayer” activities, which are commissioned by the Catholic Church, to pursue a grand plot initiated by Dracula (Richard Roxburg) involving the Frankenstein Monster (Shuler Hensley), the Wolf Man (Will Kemp), and the two last surviving members of a Transylvanian family that has long been battling the vampire.

Van Helsing is a fast-paced, computer graphics-laden horror/adventure/fantasy film wherein Universal re-imagines its core stable of classic horror characters. I actually like cgi, I’m not a purist, I love the genres–I’m not looking for realism, and I love fast-paced action-oriented thrill rides as much if not more than I love character studies.

As for the character remakes, Van Helsing becomes a slick retro-Matrix-styled macho action hero, part James Bond/007, part Indiana Jones, part Buffy the Vampire Slayer with a secret Catholic Church order filling in for the Watcher’s Council and the Bond “Q Branch” combined. Dracula becomes a suave, scheming, mad scientist who looks like a romance novel hero. Frankenstein’s Monster becomes much closer to Mary Shelley’s depiction of an intelligent, loquacious, tormented, slapdash victim of a misguided doctor. And the Wolf Man, when wolf, becomes a cgi generated over-sized, super-agile, hyperactive beast. That should already turn off all of the purists.

The look of the film is lush, with lots of unusual point of view shots, exotic locations and computer-generated environments. CGI is used extensively for the human characters in the film as well as the monsters–it’s frequently employed to enable physics defying stunts and amazing, far-ranging “computer camera” transitions. Van Helsing provides a good argument for such extensive digital assistance, as many of the visuals would be simply impossible to achieve through any other means and substituting some of the creatures with mechanicals, animatronics, special effects makeup and the like would have caused the film to go far over its already outrageous estimated budget of 160 million.

The plot, while not deep on characterization, couldn’t be more full of events and action. Combined with the extravagant visuals and quickly changing, sprawling locations, the result is epic in scope. Director/writer Stephen Sommers, who was also responsible for remaking the image of another classic Universal character in The Mummy (1999) and The Mummy Returns (2001) (probably the reason the Mummy is not present in here), begins Van Helsing in a black and white scene that wonderfully recreates the feel of the James Whale-lensed Frankenstein films, including referencing a number of shots, scenes and characters from those classics.

After the titles, we move into a color-filled world ala The Wizard of Oz while we’re treated to a brief character-establishing scene of Van Helsing battling Mr. Hyde in the bell tower of Notre Dame. Sommers then quickly whisks us away to the Vatican, where Van Helsing receives his orders.

This whirlwind beginning can be almost overwhelming–it certainly is visually–and it takes a moment to get up to speed and catch our breath, but once we settle into the town square of Transylvania, we’re enraptured by the story and the pacing reaches a more sustainable level. Although fantastical at heart, the performances from the principle cast members help anchor the film in “reality”. Jackman, Kate Beckinsale, Roxburgh, Henley and David Wenham all turn in nuanced performances that imply the depth of character that the film does not have the time to fully explore.

The intense action throughout the film combined with the cgi and spectacular sweeping camera moves often gives Van Helsing a feel somewhere between a comic book film and a video game. That fact might turn some viewers off, but as innovative, suspenseful, exciting filmic art, this is years ahead of most other recent releases. In fact, the sophisticated technological wizardry and entrancing epic storytelling is somewhat reminiscent of the Lord of the Rings films, which makes me wonder just what other viewers see in those to enable them to consistently sit high on the IMDb Top 250 list while Van Helsing struggles to attain a slightly above average rating. Perhaps Van Helsing deserves a more tempered first or second viewing from those who have summarily dismissed it due to unjustified expectations/preconceptions. This really is an outstanding film that at least deserves to be appreciated on a technical level, and should be easy enough to enjoy for its action-oriented storytelling prowess as well.

Other Information:

Original Language en
Runtime 2 hr 11 min (131 min)
Budget 160000000
Revenue 300257475
Status Released
Rated PG-13
Genre Action, Adventure, Fantasy
Director Stephen Sommers
Writer Stephen Sommers
Actors Hugh Jackman, Kate Beckinsale, Richard Roxburgh
Country United States, Czech Republic
Awards 3 wins & 21 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix DTS, Dolby Digital, SDDS, DTS (DTS: X)
Aspect Ratio 1.85 : 1
Camera Arriflex 435, Panavision Primo Lenses, Panavision Panaflex Millennium, Panavision Primo Lenses, Panavision Panaflex Platinum, Panavision Primo Lenses
Laboratory EFilm (digital intermediate), Technicolor, USA
Film Length 3,300 m (Italy), 3,608 m (Sweden), 3,561 m (Switzerland)
Negative Format 35 mm (Kodak Vision2 500T 5218)
Cinematographic Process Digital Intermediate (2K) (master format), Spherical (source format)
Printed Film Format 35 mm (Kodak Vision 2383)