Wonder Woman 1984 2020 123movies

Watch: Wonder Woman 1984 2020 123movies, Full Movie Online – In 1984, after saving the world in Wonder Woman (2017), the immortal Amazon warrior, Princess Diana of Themyscira, finds herself trying to stay under the radar, working as an archaeologist at the Smithsonian Museum. With the memory of the brave U.S. pilot, Captain Steve Trevor, etched on her mind, Diana Prince becomes embroiled in a sinister conspiracy of global proportions when a transparent, golden-yellow citrine gemstone catches the eye of the power-hungry entrepreneur, Maxwell Lord. Now, as a dear old friend from the past miraculously enters the picture, and Barbara Minerva, Diana’s insecure gemologist colleague gives in to desire, suddenly, deceit, greed, and false promises catapult Maxwell into the limelight. More and more, cataclysmic events push the world to the brink, and emotionally vulnerable Diana must address a cruel dilemma. Can mighty Wonder Woman save humankind once again?.
Plot: A botched store robbery places Wonder Woman in a global battle against a powerful and mysterious ancient force that puts her powers in jeopardy.
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Ratings:

	5.4/10 Votes: 267,145
	58% | RottenTomatoes
	60/100 | MetaCritic
	N/A Votes: 7229 Popularity: 85.427 | TMDB

Reviews:

Heroes are only as good as their villains. Nothing sums up the disappointment of WW84 more than this.

Maxwell Lord & Barbara Minerva are two of the most dangerously dark psyches in DC lore, both fond of extremely nasty, deliberately sociopathic behavior.

Whoever it was pretending to be them in WW84, it wasn’t those two from the comics.

We had some namby-pamby twerp called “Max Lord” who was just a misguided fool trying to fill that emptiness in his pathetic life with a magic dream. Yawn.

Also, some good-hearted ditz called “Barbara Minerva” basically became inadvertent collateral damage whilst Lord’s dopey plan panned out. Admittedly, that’s vaguely similar to one of Cheetah’s later origin stories, but it completely discounts her propensity for choosing the pure evil path.

It could have been fun watching a proper mind-controlling Lord and a proper soul-possessing Cheetah fight over the “ownership” of some red shirt. Alas, no.

What an absolute WASTE of two A-grade narrative heavyweights! But then, that’s the problem.

You simply could NOT use characters like Lord & Cheetah appropriately in a movie targeted towards a family audience, and it’s obvious that “make this family friendly” was plastered all over the script in red sharpie.

Nothing’s likely to change for the third WW installment, where, in keeping with the cinematic PG-downgrade of supervillains, Circe is portrayed as a lonely kid’s party magician who gets angry when her balloons get popped, so she turns everyone into pet unicorns.

Awful. I cannot believe how bad this movie was to watch. Leaves you with a bitter, cheated, bored feeling guaranteed. What a total waste of time.

I feel complelled to write this review just so I know I’ve got it off my chest and can move on.

When it finished my mam said.”At least we don’t have to ever watch that again..” and that was exactly how everyone felt.
Also half way throuh we were saying when is it going to finish.

Exception – The yound Diana bit was the only bit that had any relivance to the previous movie. The previous movie was quite good.

I’m trying to think what else was good .. Oh and the sparkly poster is quite good, and thats always a red flag that the movie could be bad.

WW84 is a joke, but it’s a fun one.
WW84 is entertaining, but unfortunately not as good as other DC films (or generally films of the superhero genre).

Storyline: Set in 1984, Wonder Woman tries to save the world once again from an unlikely enemy while she still seems to be thinking about Chris Pine.

Runtime stands at 2,5h which is too long but the pace of the film is good.

CGI is good throughout the movie and most the action scenes are well made. There’s a bunch of great outtakes as well.

The cast is interesting-Pedro Pascal’s overacting is a highlight- and Gal Gadot is stunning once again. Kirsten Wiig is also a good addition to the film, but the development of her character could have been more in depth so we can see her transformation being more justified.

On the contrary, the character of Pedro Pascal is well developed and I was impressed by the tension that he adds in the entire film. I was happy to see him switching between drama and comedy and many points go to him for keeping the film’s pace interesting.

But the film lacks a strong villain and the performance of Gal was a bit dry.

Overall, it’s a fun Sunday afternoon superhero flick which should have been 30 min shorter.

6,9/10.

Other Information:

Original Language en
Runtime 2 hr 31 min (151 min)
Budget 200000000
Revenue 165160005
Status Released
Rated PG-13
Genre Action, Adventure, Fantasy
Director Patty Jenkins
Writer Patty Jenkins, Geoff Johns, Dave Callaham
Actors Gal Gadot, Chris Pine, Kristen Wiig
Country United States
Awards 28 wins & 46 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Atmos, Auro 11.1, Dolby Surround 7.1, DTS (DTS: X), 12-Track Digital Sound, Dolby Digital, IMAX 6-Track, SDDS
Aspect Ratio 1.78 : 1 (IMAX Blu-ray and 4K UHD: some scenes), 1.90 : 1 (IMAX version: some scenes), 2.39 : 1
Camera Arri Alexa 65, Panavision Sphero 65 Lenses (underwater scene), Arri Alexa Mini, Zeiss Ultra Prime and Angenieux Optimo Lenses (aerial shots), Arri Alexa XT, Panavision Primo Lenses (some scenes), Arriflex 235, Panavision Primo Lenses (aerial shots), Arriflex 435, Panavision Primo Lenses, IMAX MSM 9802, Hasselblad Lenses (some scenes), Panavision Panaflex Millennium XL2, Panavision Primo Lenses, Panavision Panaflex System 65 Studio, Panavision Sphero 65 Lenses (some scenes)
Laboratory Cinelab, London, UK (film processing), Company 3 (digital intermediate) (35mm film dailies), Final Frame (65mm film scanning), FotoKem Laboratory, Burbank (CA), USA (65mm film scanning) (prints), IMAX (65mm film scanning)
Film Length N/A
Negative Format 35 mm (Kodak Vision3 50D 5203, Vision3 250D 5207, Vision3 500T 5219), 65 mm (also horizontal) (Kodak Vision3 50D 5203, Vision3 250D 5207, Vision3 500T 5219), Codex
Cinematographic Process ARRIRAW (2.8K) (source format) (aerial shots), ARRIRAW (3.4K) (6.5K) (source format) (some scenes), Digital Intermediate (4K) (master format), Dolby Vision, IMAX (source format) (some scenes), Panavision Super 70 (source format) (some scenes), Super 35 (source format)
Printed Film Format D-Cinema (also 3-D version), Video (UHD)