#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – A serial killer in the San Francisco Bay Area taunts police with his letters and cryptic messages. We follow the investigators and reporters in this lightly fictionalized account of the true 1970’s case as they search for the murderer, becoming obsessed with the case. Based on Robert Graysmith’s book, the movie’s focus is the lives and careers of the detectives and newspaper people.
Plot: The true story of the investigation of the “Zodiac Killer”, a serial killer who terrified the San Francisco Bay Area, taunting police with his ciphers and letters. The case becomes an obsession for three men as their lives and careers are built and destroyed by the endless trail of clues.
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If you’ve been following me closely for the past week, I’m currently (re)watching five of David Fincher’s films in preparation for his next movie, Mank, which premieres on Netflix in a couple of weeks. I’ve already revisited Se7en and Fight Club, two iconic films that not only profoundly impacted filmmaking but also our culture. However, Zodiac isn’t one of Fincher’s most popular movies, and maybe that’s one of the reasons why I’m watching it for the very first time. Based on a real story, Fincher’s first non-fiction adaptation is also one of the longest films of his career. I didn’t know anything about the true events before watching this movie, which leads me to the biggest compliment I can offer to this type of film.
There are hundreds of characteristics that a viewer can observe, analyze, and through them, ultimately form an overall opinion about a movie. Nevertheless, when it comes to cinematic adaptations of a true story, there’s always one aspect that I value tremendously, which is how much the film convinces me to research about its story after I finish watching it. Truth is, midway through Zodiac, I started to acknowledge its lengthy duration. Don’t be mistaken. It’s not what people call a “slow movie”, much on the contrary. It’s long, yes, but it’s packed with non-stop, rapid-fire dialogues that Fincher himself asked the actors to speed up so that the runtime wouldn’t stretch even more.
Throughout the entire film, I feel the exact same manner as the main characters. For the first hour or so, the case is ramping up, the murders increase in quantity, new developments emerge, just like new suspects, letters, ciphers, and everything that comes with dealing with this serial killer. During this period, I feel extremely captivated, but then comes a phase where the characters themselves start to give up due to the lack of concrete evidence to finally convict a suspect. I feel the frustration, depression, and even the infuriating absence of a clear path to the killer. However, Robert Graysmith’s (Jake Gyllenhaal) obsession with the case starts becoming my own, and the last thirty minutes are incredibly stressful, frightful, and enthusiastic.
Zodiac possesses 157 minutes, mostly consisting of talking and only a couple of stylish, slow-motion murder scenes, so obviously, this is a dialogue-driven narrative. James Vanderbilt’s screenplay is packed with detailed characterization, extensive conversations, and from what I could gather, an impressive historical accuracy. Fincher and Vanderbilt prove their unbelievable commitment with the mind-blowing preparation for this flick, which basically included an entirely unique investigation on the real case (interviewing the people who give life to the movie’s protagonists, family members, police departments, witnesses, etc.). Yet another evidence that supports the importance of the pre-production phase in filmmaking.
So, in case I forget to answer my own question, Zodiac achieved its primary mission. As soon as the film ended, I found myself googling everything about the real case, trying to find out new information, obsessed with the intriguing story. It doesn’t even matter if the viewer loves the movie or not, its impact is undeniable since most people will feel the same urgency to understand more about the real case. Two other attributes deeply contribute to this result: the cast and the editing. The latter is performed by Angus Wall, and his work is some of the best film editing I’ve ever witnessed. It’s the main reason why the huge runtime feels adequate and why the narrative moves so well. No wonder almost every job of his got so many award nominations.
Finally, the actors are all extraordinary. Mark Ruffalo (Dave Toschi), Anthony Edwards (Bill Armstrong), Robert Downey Jr. (Paul Avery), and Jake Gyllenhaal portray distinct, well-developed characters who deal with the case in their own way. Obsession is definitely the fundamental social theme present in the movie, depicted differently with each character. Armstrong completely moves on and never looks back. Toschi tries to forget, but he can’t accept that he failed to do his job. Avery develops a mental condition and/or addiction due to its inability to deal with the pressure, stress, and frustration of reporting the case. Graysmith lets his total obsession over Zodiac impact his personal life, affecting his family in the process.
Fincher is able to represent each and every one of these behaviors in an astonishingly realistic fashion. The use of long uninterrupted takes helps the conversations flow better, and the simple, non-distracting camera work from Harry Savides lets the viewer focus on who they’re listening to. It’s one of those films which I can’t really point out direct flaws. There’s that period during the second act where I start to feel tired and worn out, and despite the irreprehensible dedication to providing every single bit of knowledge about the actual events, it’s still an enormous amount of information to process, which made me feel a bit lost occasionally. Fortunately, the movie ends strongly, culminating in a simple yet powerful exchange of looks.
All in all, Zodiac gains the most generous praise that a film based on a true story can ever receive from me. James Vanderbilt’s screenplay convinced me to research everything about the real events as soon as the movie finished, which is undeniably an impactful effect of watching such a well-written, captivating narrative with well-developed, authentic characters. David Fincher’s commitment to being as historically accurate as possible is visible on-screen, a remarkable result of a massive preparation that very few filmmakers would even think about performing. With some of the best editing work in the history of cinema, the lengthy runtime flows better than expected, but the amount of information to digest is overwhelming and tiresome, dropping the levels of entertainment, especially during a certain period of the second act. Nevertheless, a phenomenal third act, three outstanding performances from Mark Ruffalo, Robert Downey Jr., and Jake Gyllenhaal, and an emotionally compelling, realistic approach to extreme obsession turn the entire film into one of the best of its genre. Another massive recommendation from this side.
Peerless precision from Fincher.
I have seen it written that this film shows that Fincher had grown up, and whilst I understand that train of thought, it simply isn’t true. What Fincher has done is give a true story his meticulous care and standard deft precision by leaving no stone unturned. We get simply one of the (if not thee) best films to deal with the investigating process of a high profile serial killer, a film that as a character study is actually essential viewing in the pantheon of genre productions.
The devilish greatness of this film is in the fact that it can’t pay off with a pandering mainstream ending, the makers are telling a true story and any sort of research will lead viewers to the fact that there is no twist here, no joyous ticket selling round of applause at this ending, it is what it is, frustratingly brilliant. The case the film is about consumes all involved with it, and to see how it affects those involved is engrossing (yet sad) because if the viewer is so inclined to jump on board then it will consume you as well, the film and the actors within demand you see this for the affecting character piece it is.
The acting here gives me hope that classic acting is alive and well in this generation, I was once not enamoured with Mark Ruffalo in his early days as an actor, but here he puts such heartfelt verve into the role of David Toschi I felt I need to send him a written apology!. Robert Downey Junior is joyous as Paul Avery, all 60s chic and swagger without tipping over the edge of the mountain caricature (both men to become future Avengers of course). Yet surprisingly to me I found that it is Jake Gyllenhaal as Robert Graysmith who is the film’s key axis, the central heartbeat, with a performance that demands undivided attention, a performance brought about by Fincher’s quest for perfection from everything to do with film making. Gyllenhaal hated working on the film, he hated Fincher’s work ethic, but in time he must now look back and see that here the director coaxed out a performance that has in time been seen as not only great, but also beneficial to his career (hello Nightcrawler).
This is not Se7en 2, and British film mags like Empire should have known better than to use that tag line to get the readers’ attention, because fans of serial killer thrillers need not apply here, fans of outstanding cinema about the human psyche during the pursuit of a serial killer – Well get in line folks, for this is one of the best movies of the decade. 10/10
A great thriller about the true story of the brutal Zodiac Killer
Just a few days ago, my mom and I watched a documentary on the famous Zodiac killer and his victims. It was incredibly interesting so it got me thinking about the film Zodiac that was released this year and lucky enough it was released on DVD today so I rented it. My friend and I just watched it a couple of hours ago and really liked it, especially on how it ended and was over all shot. I thought it was kinda cool how it started off like a documentary type of movie, but then was turning into a thriller that kept you going and guessing, even if you knew the whole story.
In the small towns of California, there are several brutal murders, eventually going onto San Fransisco. These murders are extremely violent and very random, and every time it happens there is a message or sign that is left by the killer that calls himself the “Zodiac”. He sends letters to the press on how and where he killed his victims and teases the police that they will never catch him. But Robert, one of the newspaper cartoonist starts to obsess about the killer, who he is and how they can capture him.
With an all star cast, we had absolutely no problem with acting because it was terrific. Jake and Mark held their own very well. The whole story is very chilling and kept you going. The Zodiac Killer is a case that forever will remain a mystery and it was a great idea for a film, Fincher added a Se7en type of feel to this film. It’s so funny how I knew the story and how it ended already, but I was actually just waiting to see what would happen in the next scene. I would highly recommend this film to any thriller fan, I’m sure you’ll enjoy it, it’s a great one for 2007.
Welcome Back, David Fincher.
Audiences have waited a while for a new piece of work from Mr. David Fincher and now that hiatus is officially over. Straying away from his style that earned him a ‘cult’ following, he brings out a new side to himself, some techniques not yet observed in his repertoire.
ZODIAC feels like it was made by a perfectionist, everything flows so smoothly. The editing is pinch-perfect. Not only that, but Ficher shows that he is an actor’s director as well, directing his cast into true life roles wonderfully. But the credit does not go all on to his shoulders. The actors have a lot to do with that themselves. Jake Gyllenhaal, who plays the author of the book of the same name, plays his character with an irresistible ‘nerdi-ness’ that is just fun to watch. Then it is amazing to watch Gyllenhaal transform that character into an obsessed wannabe detective, losing all focus and normal aspects of his life. Mark Ruffalo plays a humorous and overworked cop with incredibility. He really gets the job done. Downey Jr., however small his role was, plays on the screen with a witty insanity that brings most of the laughs of the movie. The acting really is a major pro. ZODIAC may come out at a long time slot but the viewer will never realize it because of the film pulling one in, and not wanting to leave until the case is solved. That is why ZODIAC is fantastic and a great welcome back gift from Fincher to not only his fans, but to everyone. ZODIAC is definitely the best film of 2007 so far.
Original Language en
Runtime 2 hr 37 min (157 min), 2 hr 42 min (162 min) (director’s cut)
Genre Crime, Drama, Mystery, Thriller
Director David Fincher
Writer James Vanderbilt (screenplay), Robert Graysmith (book)
Actors Jake Gyllenhaal, Mark Ruffalo, Anthony Edwards, Robert Downey Jr.
Awards 4 wins & 72 nominations.
Production Company Warner Bros., Phoenix Pictures, Paramount
Sound Mix SDDS, Dolby Digital, DTS
Aspect Ratio 2.39 : 1
Camera Arriflex 435 ES, Zeiss Super Speed Lenses (high-speed shots), Thomson VIPER FilmStream Camera, Zeiss DigiPrime Lenses
Laboratory Technicolor Digital Intermediates, Los Angeles (CA), USA (digital intermediate), Technicolor, Hollywood (CA), USA (prints)
Film Length 4,172 m (Portugal), 4,304 m (Sweden)
Negative Format 35 mm (Kodak Vision2 Expression 500T 5229), Uncompressed Digital (4:4:4)
Cinematographic Process Digital Intermediate (2K) (master format), FilmStream 4:4:4 (source format), Super 35 (source format) (high-speed shots)
Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383), D-Cinema