How to Be Single 2016 123movies

Watch: How to Be Single 2016 123movies, Full Movie Online – There’s a right way to be single, a wrong way to be single, and then…there’s Alice. And Robin. Lucy. Meg. Tom. David. New York City is full of lonely hearts seeking the right match, be it a love connection, a hook-up, or something in the middle. And somewhere between the teasing texts and one-night stands, what these unmarrieds all have in common is the need to learn how to be single in a world filled with ever-evolving definitions of love. Sleeping around in the city that never sleeps was never so much fun..
Plot: New York City is full of lonely hearts seeking the right match, and what Alice, Robin, Lucy, Meg, Tom and David all have in common is the need to learn how to be single in a world filled with ever-evolving definitions of love.
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Ratings:

	6.0/10 Votes: 89,182
	46% | RottenTomatoes
	51/100 | MetaCritic
	N/A Votes: 2923 Popularity: 39.523 | TMDB

Reviews:

Actively searching for yourself
I watched this movie several times. This is an easy and romantic comedy. Dakota Johnson is amazing in this movie. “How to be single” is her film, Alice is her character, and she showed well what she is capable of as an actress. I really liked Rebel Wilson. She complemented the film, and her vulgar jokes were always funny. The music in the film is perfectly matched. It complements the film and fits perfectly into it. While watching you certainly pay attention to the beautiful views of New York. They make the film more romantic and show how big this city is. The film shows that being alone is not bad, but rather even useful. However, of course you should not delay this moment and turn away from life during this period is not necessary, it is better to devote it to yourself, your desires and plans.

Problematic in its themes and thoroughly misguided with its casual depictions of treating people unfairly
Watching “How to Be Single,” yet another comedy released this year hoping that its mediocrity will be forgotten by the time the halfway point of the year comes around, I began to feel a certain pessimistic sadness wash over me. This is presumably a film to showcase the daily events of many single people in heavily metropolitan areas with few cares and big plans every single weekend. Of course, one must reserve some incredulous circumstances that occur in the film as being part of the theatrical spice, but fundamentally, we can hopefully agree that this film looks to profile the kind of debauchery young, single people hope for on their Friday and Saturday nights while they’re not confined to one person.

In “How to Be Single,” nobody talks to one another, nobody genuinely cares about the emotional well-being of one another, and nobody seems to hold kind of pride or self-respect for one another, male or female. This is an observation on my part and not a testament that the characters of the film should live according to my personal standards. I’ve never been one for telling people how to live their lives, for I’d be damned if they told me how to live mine. Having said that, however, there is not a shred of honesty or decency on part of these characters; there’s just an engagement in mindless actions, empty sex, and a desire for a lifestyle of free drinks and early headaches. If there were ever a film to show just why young people’s relationships suffer and why commitment is so difficult to find, it’s “How to Be Single.”

After that lofty opening, you’re probably expecting an intensely negative review on my part. You’d be wrong, for I didn’t hate “How to Be Single; in fact, I found myself laughing quite frequently and holding great admiration for its talented cast of performers, all of whom have high energy and fearless comedic presences. But even before the lights came back on, I felt uneasy after most laughs and each scene that involved characters practically throwing themselves at one another for sex, one male character explaining his methods to have the perfect one-night stand, and the umpteenth sex story Rebel Wilson’s character explains in elaborate detail, I began to wince and quietly keep to myself. It’s almost to the point where you can place the death of commitment and honesty between people when sex or a potential relationship is involved alongside the death of chivalry.

The film revolves around Alice (“Fifty Shades of Grey”‘s Dakota Johnson), a young woman who is dumped by her boyfriend before moving to New York City to work in a law firm. She moves in with Meg (Leslie Mann), her single, workaholic sister who is considering having a kid as a single mother via a sperm donor, in addition to befriending her bawdy co-worker Robin (Rebel Wilson), who holds her countless one-night stands as a badge of honor. During her time in New York City, Alice meets Tom (Anders Holm), an attractive bartender who has rigged his apartment to basically beg a woman to leave after sleeping with him, despite his crush on Lucy (Alison Brie), a bar-regular who spends her time wasting away on dating sites.

As stated, “How to Be Single” features a slew of commendable, high-energy performances by actors who will go on to be tomorrow’s regular comedy headliners. Dakota Johnson shows her talents in a lead role that allows for more freedom outside of confining dialog and flat emotions, Leslie Mann continues to prove herself as one of the funniest and most likable actresses in comedy, Alison Brie, despite having fairly brief scenes, manages to make the most out of them with her sarcasm and dry wit, and Wilson creates a fun, if standard, physical role for her character thanks to her fearless on-screen presence.

This is one of those films where I seriously hope the actors got paid more than the writers because they almost effectively undermine the shortcomings and noticeable imperfections of the screenplay every chance they get. Sadly, the trio of writers, Dana Fox, Abby Kohn, and Marc Silverstein, nearly spoil the pot here by throwing too many ingredients in without adequate preparation. Many of the plot-strands in this film aren’t well developed, and much like hookup culture itself, real relationships are stunted and have an inability to develop when there’s simultaneously too much and too little going on. One doesn’t really notice this until the film ends and they’re walking out of the theater, to their car, or to the bathroom and reflecting on how desperately little in this film gets solved as a result of the film’s scattershot tendencies.

This sort of disorganized narrative may have been more forgivable if the film had something groundbreaking, or at least meaningful, to say about being single, but it makes the same inexcusable thematic misstep as last year’s “Paper Towns” with its end monologue. It basically states that going out and having carnal sex, mistreating others, and playing with people’s emotions is okay so long is it’s in the pursuit of self-discovery, which is unforgivable, unacceptable, and absolutely ludicrous. A film with this kind of theme is harmful, but thankfully it doesn’t pander it to the extent of “Paper Towns.”

While “How to Be Single” is frequently entertaining and sporadically funny, it’s also thematically problematic and, all-around, misguided with its casual depictions of treating people unfairly and justifying the character’s poor behavior as a path to finding themselves. The commendable cast do all that they can to save this film, but the flaws are too weight to save a spiraling plane from heading anywhere but downwards.

Other Information:

Original Language en
Runtime 1 hr 50 min (110 min)
Budget 38000000
Revenue 112343513
Status Released
Rated R
Genre Comedy, Drama, Romance
Director Christian Ditter
Writer Abby Kohn, Marc Silverstein, Dana Fox
Actors Dakota Johnson, Rebel Wilson, Leslie Mann
Country United States
Awards 3 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital
Aspect Ratio 2.35 : 1
Camera Arri Alexa 65, Arri Prime 65 Lenses (one scene), Arri Alexa XT Plus, Cooke Speed Panchro Lenses
Laboratory FotoKem Digital Film Services, Burbank (CA), USA (digital intermediate)
Film Length (6 reels)
Negative Format Codex
Cinematographic Process ARRIRAW (2.8K) (6.5K) (source format), Digital Intermediate (2K) (master format)
Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383), D-Cinema