#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – The infamous Riddick has been left for dead on a sun-scorched planet that appears to be lifeless. Soon, however, he finds himself fighting for survival against alien predators more lethal than any human he’s encountered. The only way off is for Riddick to activate an emergency beacon and alert mercenaries who rapidly descend to the planet in search of their bounty. The first ship to arrive carries a new breed of merc, more lethal and violent, while the second is captained by a man whose pursuit of Riddick is more personal. With time running out and a storm on the horizon that no one could survive, his hunters won’t leave the planet without Riddick’s head as their trophy.
Plot: Betrayed by his own kind and left for dead on a desolate planet, Riddick fights for survival against alien predators and becomes more powerful and dangerous than ever before. Soon bounty hunters from throughout the galaxy descend on Riddick only to find themselves pawns in his greater scheme for revenge. With his enemies right where he wants them, Riddick unleashes a vicious attack of vengeance before returning to his home planet of Furya to save it from destruction.
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|6.4/10 Votes: 154,947|
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Maybe you’re all scared of the wrong thing.
Unsurprisingly reactions to this, the third outing for Vin Diesel’s sci-fi based anti-hero, has been very mixed. In truth it’s hardly a great film of the “must see” kind, and it does in fact cleave very close to Pitch Black, the first and most superior of the Riddick trilogy. However, there’s a whole bunch of science fiction fun to be had here.
Plot has Riddick left for dead on a inhospitable planet, where he finds himself up against some alien creatures. His only hope of getting off the planet is to bring notice of his whereabouts, which brings two ships to where he is. Both with crews who have differing reasons for wanting to capture the enigmatic convict…
And thus we get a beautifully filmed sci-fier that features beasties of both the human and alien kind. Action and moody histrionics are never far away, and Diesel is wonderfully muscular, macho, course and scary. Some of the CGI is weak, and naturally much of the film’s coincidences and contrivances have to be forgiven if one wants a popcorn and beer good time of it. 7/10
After trying to move the character to more epic levels in ‘Chronicles of Riddick’, and failing to capture an audience, this third installment in the series, simply titled ‘Riddick’, is a return-to-basics for director David Twohy. It quickly sets itself loose from the baggage of ‘Chronicles’ and pursues a more clear-cut survival action story that might as well be titled ‘Pitch Black 2‘.
Back To Basics, or How Old School Rules
A good antihero is a wonderful thing, and Riddick is a commendable example. Having watched the evolution of this character over the course of one very good Sci-Fi outing (Pitch Black)and one very passable Sci-Fi mega-production (The Chronicles of Riddick), it was nice to welcome him back to smaller budgets and the authentic claustrophobia that befits an interstellar fugitive.
“Riddick” is a film that delivers what its core audience wants: the story never strays from what has been established, although there is the unfortunate drift towards “How Incredible Is This Guy?” that afflicts so many film series (cf. “Iron Man”,”Dirty Harry”, “Rocky”). Nonetheless, the action is both gloriously implausible and entertaining, and director David Twohy does a great job of keeping you in the same universe where you first joined this ride. In short, Riddick is spot-on, while “Riddick” is a little overblown.
I will not reveal the end, but I will reveal that I was a little disappointed in its neatness. Clearly the script writer has more faith in the redemptive power of revealed truths than I do. This notwithstanding, for the period that I was in the cinema, I had a good time with my dangerous friend Richard Riddick, and I imagine that anyone who liked the first two films will do so, too. It is particularly recommended to those who preferred “Pitch Black” to “The Chronicles of Riddick”. David Twohy is back home, and feeling fine.
Almost a decade has passed since Vin Diesel last inhabited his starmaking role, the insanely tough, incredibly dangerous ex-con Richard B. Riddick. 2000’s Pitch Black kicked off the series (and its lead’s career) with an entertaining, if derivative, sci-fi horror flick. 2004’s The Chronicles of Riddick, while visually striking, was neutered with its PG-13 rating and bafflingly incoherent storyline. This third entry gets back to basics, and in some ways feels almost like a reboot of Pitch Black, and one that comes with all the pros and cons that distinction implies. This time around, Riddick has been abandoned on an unnamed planet that is teeming with dangerous creatures that sleep by day and hunt by night. In a bid to get offworld, he activates a distress beacon, hoping to steal one of the investigating ships. Of course, bounty hunters arrive first, and what ensues is a claustrophobic mash-up of Mexican standoffs, hard stares, and bloody carnage. Like Pitch Black, the story here is minimal, action maximum. If this appeals to you, check it out. If not, simply don’t bother.
Original Language en
Runtime 1 hr 59 min (119 min), 2 hr 7 min (127 min) (director’s cut)
Genre Action, Adventure, Sci-Fi, Thriller
Director David Twohy
Writer David Twohy, Jim Wheat (based on characters created by), Ken Wheat (based on characters created by)
Actors Vin Diesel, Jordi Mollà, Matt Nable, Katee Sackhoff
Country Canada, USA
Awards 2 nominations.
Production Company One Race Productions
Sound Mix Dolby Digital, Datasat, SDDS
Aspect Ratio 1.90 : 1 (IMAX version: some scenes), 2.39 : 1
Camera Arri Alexa, Zeiss Master Prime and Angenieux Optimo Lenses
Laboratory Technicolor Creative Services, Montreal, Canada (digital intermediate), Technicolor, Hollywood (CA), USA (prints)
Film Length 3,251 m (7 reels)
Negative Format Codex
Cinematographic Process ARRIRAW (2.8K) (source format), Digital Intermediate (2K) (master format)
Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383), D-Cinema