#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Simon and Robyn are a young married couple whose life is going just as planned until a chance encounter with an acquaintance from Simon’s high school sends their world into a harrowing tailspin. Simon doesn’t recognize Gordo at first, but after a series of uninvited encounters and mysterious gifts prove troubling, a horrifying secret from the past is uncovered after more than 20 years. As Robyn learns the unsettling truth about what happened between Simon and Gordo, she starts to question: how well do we really know the people closest to us, and are past bygones ever really bygones?
Plot: A husband and wife try to reinvigorate their relationship but their lives are threatened by a “friend” from the husband’s past who holds a horrifying secret about him, sending their world into a tailspin.
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Traditionally, horror films and psychological thrillers follow a predictable path in their themes of dot-to-dot suspense. Rarely does a suspense piece deviate away from the formulaic blueprint that make these types of flicks the familiar frightfests they are in conception. However, the crafty Joel Edgerton, as the juggling movie mastermind sporting directing, acting and writing credits, provides the mind-bending goods in the refreshingly titillating ‘The Gift’, an edge-of-your-seat chiller that definitely is worth unwrapping with nervous anticipation. The ambitious moments in ‘The Gift’ are golden especially when the twists and turns are considered a solid fixture in the film’s creepy conclusion.
It is understandable in assuming that ‘The Gift’ could have been yet another custom-made psychological thriller promoting the same hire-for-dire predicaments. Nevertheless, the insidious presence of Edgerton, along with co-stars Jason Bateman and Rebecca Hall, as the Chicagoan married couple settling in their aesthetic-looking LA-based home elevates ‘The Gift’ as a stalker flick with captivating smarts and attitude.
It is actually a homecoming situation for Simon (Bateman) as he returns to his California town courtesy of his job-related executive rise within his computer security firm. The mover-and-shaker couple Simon and Robyn (Hall) settle into their impressive, spacious window-friendly place with a modern innovative appearance. When the couple decides to head out and do some furniture shopping they bump into Gordon (Edgerton). Gordon identifies himself as Simon’s old high school classmate, something that catches the computer exec by surprise because he does not necessary recall the goatee-sporting Gordon right off the bat. The greeting is awkward but Simon politely acknowledges Gordon in an effort to appease him.
Unfortunately, jotting down the clingy Gordon’s phone number is opening up a proverbial can of worms. Soon, Simon and Robyn would be hindered by Gordon’s constant intrusive visits to their elegant home. Furthermore, Gordon adds to the creep factor by bestowing different degrees of generous gifts on the marital twosome. Gordon does not seem to take the hint that his unannounced visitations are smothering and rather bothersome to the lovebirds. The nervy gesture of Gordon hanging around is particularly worrisome because he seems to dominate Robyn’s attention and time as Simon is away at his lucrative job during the day.
The tension mounts for Simon and Robyn outside of the menacing interruptions caused by the mysterious Gordo. For starters, the pressure is on for the tandem to start a family as they hope to entertain the arrival of their first child. Secondly, Simon tries to best a rival at work to further his corporate ladder climbing into management. Thus, Gordon’s bizarre gift-giving tendencies and continual pit stops in the couple’s blossoming lives purely add to the stress and strain of keeping their marriage solid and conflict-free.
The Gift could have followed its road map to predictability and used the oddball Gordon as the doomsday dude that continues his twisted agenda without any rhyme or reason. Here is where Edgerton, as the aforementioned triple threat in directing, writing and acting, earns his creative stripes because he manages to flip the script on the viewers and causes them to comprehend the off-kilter motivations of this complex agitator. Is Gordon justified in his campaign to cause havoc for the corporate rising star Simon? Is Simon as squeaky clean as it appears? What is the backstory surrounding the nostalgic circumstances concerning Gordon’s and Simon’s past history as childhood classmates together? Can Robyn piece together the perplexing puzzle that involves the two men on different avenues to self-destruction?
It would be a disservice to reveal some of the shocking angles in ‘The Gift’ because the film certainly engineers must of its nerve-racking twists so cleverly to the point of describing too much of the dramatic layers may spoil the tension-driven surprise. The overall toxic message that is conveyed pretty much sums up Edgerton’s inventive and piercing thrill ride. Be careful how you mistreat or dismiss someone from the past on the way up because you very well could tangle with them as one’s fortunes could descend without a moment’s notice. Or to put it in simplistic street-wise terminology: karma is indeed a bitch!
The Gift (2015)
1 hr. 48 mins.
Starring: Jason Bateman, Rebecca Hall, Joel Edgerton, Allison Tolman, Busy Phillipps, Beau Knapp, Wendell Pierce and David Denman
Directed and Written by: Joel Edgerton
MPAA Rating: R
Genre: Psychological Thriller/Suspense and Drama
Critic’s Rating: *** stars (out of 4 stars)
This film was good. The acting was good. It was well written and had good plot twists. It did get a bit too predictable and over-the-top by the end.
The movie you didn’t know you had to see this summer
Here’s a surprise: The Gift is a mature thriller that’s more complex and classy than the trailers suggest. I don’t know what caused the marketing department to make the film look like such a second-rate, cheap, predictable thriller that somehow had gotten ahold of talented actors, but now we know the truth. As Joel Edgerton’s directorial debut, it’s impressive, considering the sense of craft going on behind the camera. The cinematography is gorgeous and the pacing is that of a slow burn, but it’s never dull. The premise is also deceptively simple, turning more intricate and involving as the film progresses.
Edgerton, who also wrote the screenplay, refuses to adhere to genre conventions, constantly subverting audience’s expectations on how the story plays out. Red herrings, plot twists, shifting perspectives, and moral ambiguity ensue, but they never feel cheap. Like the best thrillers, The Gift evolves naturally and realistically. Edgerton and Rebecca Hall are great, but it is Jason Bateman who impresses. As a natural comedian actor, he plays one of his rare, serious roles to terrific effect. But I digress. You should go into this film with a clean slate, but know that it is a rare, intelligent thriller that doesn’t cheat or spoonfeed its audience. And in that regard, Joel Edgerton has given us a gift, indeed.
The Gift is a psychological thriller of rare efficacy and beauty in these times.
It is Joel Edgerton’s debut as director who also carves out the role of the villain and his role is surely the most impressive, better played and also better written (by Edgerton himself).
Jason Bateman and Rebecca Hall also do a good job, but the Australian actor (and director/writer) steals the scene, even though he isn’t the main protagonist.
About the ending, I like it. I’ve read someone criticizing the fact that you don’t understand who is the real father of the baby. But I think that the last 10 minutes are perfect as they are.
Edgerton’s performance is outstanding: he really acts like a fool, with a frightening gaze.
One of the best thriller films of the last years. Deserves more than a viewing.
Original Language en
Runtime 1 hr 48 min (108 min)
Genre Drama, Mystery, Thriller
Director Joel Edgerton
Writer Joel Edgerton
Actors Jason Bateman, Rebecca Hall, Joel Edgerton, Allison Tolman
Country USA, Australia, China
Awards 2 wins & 12 nominations.
Production Company Blumhouse
Sound Mix Dolby Digital, Datasat
Aspect Ratio 2.35 : 1
Camera Arri Alexa, Canon K35 Lenses
Film Length N/A
Negative Format Codex
Cinematographic Process ARRIRAW (2.8K) (source format), Digital Intermediate (2K) (master format)
Printed Film Format D-Cinema