The Kid with a Bike 2011 123movies

Watch: Le Gamin au vélo 2011 123movies, Full Movie Online – At about 11, the stubborn and impulsive Cyril seems on his way to delinquency: he has no mother, his father wants a new life without him, so he’s in a foster institution. He searches for his father, wanting him and his bike. Through the intersession of Samantha, a hairdresser Cyril happens upon, he gets his bike back, and she offers to take him into her home on weekends. He remains aloof from her and gets involved with a young crook. Is Cyril intent on driving Samantha away – and what then?.
Plot: Abandoned by his father, a young boy is left in the hands of an unqualified childcare provider.
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Ratings:

	7.4/10 Votes: 27,739
	96% | RottenTomatoes
	87/100 | MetaCritic
	N/A Votes: 344 Popularity: 6.876 | TMDB

Reviews:

The Dardennes score again!
The Dardenne brothers (L’Enfant, Lorna’s Silence) once again demonstrate their mastery for crafting character studies around broken souls trying to get by in France, with their newest film, The Kid With A Bike. The film opens with young Cyril Catoul (Thomas Doret), trying to break free from an orphanage to see his father, while everyone around him is trying to explain that his father has left him there. It’s a heartbreaking opening, immediately giving us a taste of the magnificent performance that Doret will continue to demonstrate over the course of the film. Cyril is desperate to escape their clutches and refuses to listen to their pleas for understanding. He’s a rebellious young boy, unyielding in his cause and so sure that there must be some explanation; surely his father couldn’t be that cruel. Of course the audience knows the revelation he is most likely going to receive.

Soon he comes into the care of Samantha (the always great Cecile De France), a hairdresser in the town nearby who runs into him by chance, and this is where the film really starts to succeed. The relationship at the core of the film isn’t with Cyril and his father (whom we do eventually meet), but instead with him and Samantha. Cyril spends his time pouting, rebelling and generally being your standard adolescent boy, while Samantha tries to become this mother never had. Cecile De France is an actress I’m always interested to watch, with her expressive face that she’s put to great use in many films before this but never so well as she does here. Samantha’s resilience towards Cyril’s constant attempts to pull away make it clear that she must have come from a situation similar to his, and is fighting so fiercely to make sure he doesn’t face the fate that she knows exists. In a town filled with troubled youths, Samantha fought her way out the other side and she wants to bring Cyril there with her. It’s a very warming dynamic and the Dardennes really make you feel all of the highs and lows of it. This isn’t your standard character study; you feel these characters like very few films can make you do.

One of the most sensational aspects of the picture is the performance anchoring it all from Thomas Doret. Watching Doret, I couldn’t help but be reminded of the young Jean-Pierre Leaud in The 400 Blows. Cyril is a rebel in the purest form, broke down by the society he’s been born into and constantly fighting back against the authority figures in his life. But unlike Leaud’s Antoine Doinel, Cyril isn’t looking for freedom here; he’s looking for acceptance. Throughout the film Cyril is pulled in a multitude of directions, but the only one he wants to get pulled into is the arms of his father; and in the twisted harshness of life, that’s the one direction that just pushes him away. Doret completely embodies this character, absent of any tick or fallacy that generally comes with a child actor. It’s got to be the finest child performance put on screen in quite some time. The boy isn’t some adorable little kid; he’s a real person and sometimes he drives you insane, but you always end up rooting for him when it comes down to it. My heart sank in the moments with his father (played well by Dardennes regular Jeremie Renier), warmed in the few bright spots in his life and when he was in danger I almost drew blood from digging my nails into my palm due to the tension.

Along with the emotional journey that the Cyril/Samantha dynamic takes you on, the Dardennes also imbue the film with a dark fairy tale metaphor that I found added a great new layer to Cyril’s story. Cyril spends the film wearing a variety of red tops, clearly representing our Riding Hood lost in the woods, and at a certain point he encounters our version of the Big Bad Wolf; a troubled youth who didn’t have the luxury of a Samantha in his life. This Wolf is the counter to Samantha’s mother figure and Cyril is a broken soul caught in a world where he could walk down the dark path of the drug dealers and thieves or into the light that Samantha tries to open up to him. It’s a strikingly human story that keeps you on your toes and grasps your heart. I won’t reveal the final path that Cyril ends up taking, but it kept me in tears for the final ten or fifteen minutes.

The limits of kindness? Perhaps none. A limited but very touching film.
The Kid with a Bike (2011)

A troubled boy finds an informal foster mom who tries her best to keep in line. That’s the story and in way that’s the whole depth of the story. The details—his rebellion, his responding to love, his being suckered by a drug dealer—are expected and interesting and beautifully told. The story has a slightly polished realism to separate it from its forebear, the great classic “The Bicycle Thief,” and there might be a slight gap in motivations to explain, but in general you get sucked into this situation and the awkward relationship between the two. It is a tale appreciated in its siimple telling.

I had a foster child for a couple of years at an age close to this boy’s, and there is a lot here that makes vivid sense. The woman, perhaps too lovely for normal realism (played by Cecile De France), is nevertheless sincere and quite smart in her mothering skills. She gets the boy to live with her almost by chance, and follows that chance, and learns to give him some rope and to also reign him in by example and through compassion.

But even this isn’t enough. That’s one of the terrifying truths of being a foster parent (or any parent)—you can only do your best. Some of the result is a product of luck, or personality, or some course of outside events that you don’t predict (even if later you can say you saw them coming). All of this is included here, well done, with a kind of filmic modesty.

The one bit of high drama comes down to the child pushing his limits when he gets into a criminal plan, and the results of that, which leads to a bit of small time revenge that goes wrong. The boy is now beyond his own limits and is literally stunned. By the last scene, you ought to be heartbroken but also really hopeful. The message finally is that kids are really resilient, and you have to keep opening the right doors for them and let them make good choices.

This film lets us do that.

Other Information:

Original Language fr
Runtime 1 hr 27 min (87 min)
Budget 0
Revenue 0
Status Released
Rated PG-13
Genre Drama
Director Jean-Pierre Dardenne, Luc Dardenne
Writer Jean-Pierre Dardenne, Luc Dardenne
Actors Thomas Doret, Cécile de France, Jérémie Renier
Country Belgium, France, Italy
Awards 9 wins & 31 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital
Aspect Ratio 1.85 : 1
Camera Arricam LT, Zeiss Master Prime Lenses
Laboratory Laboratoires Éclair, Paris, France
Film Length N/A
Negative Format 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (3-perf) (source format)
Printed Film Format 35 mm (spherical), D-Cinema