The Stranger 1946 123movies

Watch: The Stranger 1946 123movies, Full Movie Online – Wilson of the War Crimes Commission is seeking Franz Kindler, mastermind of the Holocaust, who has effectively erased his identity. Wilson releases Kindler’s former comrade Meinike and follows him to Harper, Connecticut, where he is killed before he can identify Kindler. Now Wilson’s only clue is Kindler’s fascination with antique clocks; but, though Kindler seems secure in his new identity, he feels his past closing in..
Plot: An investigator from the War Crimes Commission travels to Connecticut to find an infamous Nazi, who may be hiding out in a small town in the guise of a distinguished professor engaged to the Supreme Court Justice’s daughter.
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Ratings:

	7.3/10 Votes: 26,859
	97% | RottenTomatoes
	76/100 | MetaCritic
	N/A Votes: 469 Popularity: 8.601 | TMDB

Reviews:

They searched the woods. I watched them, here, like God looking at little ants.

We are in the college town of Harper, Connecticut, one day a man known only as Wilson arrives, he’s a member of the War Crimes Commission, in short he’s a Nazi Hunter. On his radar is the man thought to have invented the Nazi Death Camps, Franz Kindler, surely such a despicable and low human being is not residing in this lovely little place?

The Stranger finds director (and star) Orson Welles fusing two rather interesting facts, fact one is that this picture, coming at a time when Welles was really struggling as a viable artist, is one of his most conventional pictures, fact two is that it’s also one of his finest achievements. All Welles’ traits are here, the expert use of shadows and lights, tricksy camera angles, buildings carrying auras. A clock tower at the centre of the piece is a foreboding character all by itself, listen out for the clock tower dongs and I swear to you they sound like a death knell beckoning us in to its belly, this is Welles crafting wonderful atmospherics to enhance the mood in this small and picturesque town.

Yet it’s probably with his acting performance that he achieves the best rewards, it’s made clear to the viewers from the off that Welles is the villain of the piece, it’s not in question, the issue is if he can avoid and escape the clutches of Edward G Robinson’s determined Wilson?. Here Welles excels because this is no cartoon cut out Nazi portrayal, this is cold and calculating stuff, cynical with devilment seeping from his pores, he arrogantly believes that he is just and correct at every turn. Loretta Young (Mary Longstreet) plays off of Welles very well, on the surface it looked like she wasn’t being asked to be anything more than a foolish love interest, but as the last quarter arrives she gets some meat to chew on and aided by Robinson in perfectly restrained form, gives us a finale that in true Welles tradition is as memorable as it is unfeasibly gorgeous.

It’s a fitting end to a truly great picture, highly recommended viewing, tight, tense and terrific. 9/10

Excellent cinematography and camerawork as can be expected from Welles. Entertaining throughout. Watch if you’re a fan of film noir

Taught, suspenseful thriller
This film has been knocked by many people saying that Orson Welles was forced to work within the strict confines of the Hollywood system. I have absolutely no problem with this. Welles is a master craftsman. He made great films, period. In an interview he said that the studio cut out ” a couple of reels” that take place in South America at the beginning of the story that he felt was the best part of the movie. As a viewer I feel that the film is compact and taut. Adding more to it would not help(in my opinion). On the contrary, I think adding more might make the film sluggish. As it stands the film remains dark. You feel that evil is present. You are just not sure what is going to happen next.

The performances in this film are for the most part excellent. Edward G. Robinson is amazing. This could have been a cardboard thin good-guy part. Instead he turns the character of Wilson into a smart, cunning hero. He is self-assured not obsessed. He understands what most people in the town don’t: Kindler is a monster who is capable of anything. To catch such a man you have to be several steps ahead of him. Also excellent is Konstantin Shayne as Meinike. You can see the fear and madness in his eyes as he repeats “I am travelling for my health, I am travelling for my health…” before going through customs. Make no mistake, this man is “an obscenity that must be destroyed” to quote Wilson. Just look at his scene with the photographer in South America. He is used to people following his orders. Welles is also very good as Kindler/Rankin. There are moments that you actually feel sympathy for him. His obsession with fixing the town clock is very significant. Here is a man who needs things to be precise and structured. He wants total control of his environment(a good example is how he treats his wife). Welles hints at this man’s mania but keeps him human. Even though you want him to be caught, you can’t help wondering if he’ll get away. Loretta Young is unfortunately just average in this film. She has some good moments (especially in the final scene when she confronts Rankin/Kindler)but her hysterics are just too much. The scene where Wilson is showing her the Nazi atrocities is well played. She keeps a certain composure that works well.

Overall, a very well made thriller with top notch performances and solid direction by one of cinema’s masters. I give it 8 clock towers out of 10.

Who Says Fear of Terrorism Is a Contemporary Problem
Who says that fear of terrorism is a new development, post 9/11. Imagine the fears and exposed nerve endings of the average towns person living in the shadow of World War II. There was the fear of infiltration by the Nazis with their secret agents, blending in with our everyday citizens. Orson Welles plays just such a guy. He is kind, pleasant, quiet, and very dangerous. He even sets about marrying a woman as part of his secret plot. Edward G. Robinson, who normally would have been the heavy, plays a tired, hard working investigator who is leaving no stone unturned. The plot is intricate, though predictable, and the whole thing is hard to take your eyes off. Welles was a great director, but perhaps an even better actor. He keeps this thing going, raising it above the common fair of the time. The writing keeps the good guys at bay, but the clues continue to sit there, ripe for discovery. The clock tower is a great symbol, continuing to remind us of the urgency of everything. The dramatic irony presented makes us continually uncomfortable. We are treated to the movements and activities of the villain, and being let in, it makes everything more enjoyable. See this if you can.

Other Information:

Original Language en
Runtime 1 hr 35 min (95 min)
Budget 0
Revenue 0
Status Released
Rated Passed
Genre Crime, Drama, Film-Noir
Director Orson Welles
Writer Anthony Veiller, Victor Trivas, Decla Dunning
Actors Orson Welles, Edward G. Robinson, Loretta Young
Country United States
Awards Nominated for 1 Oscar. 2 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Mono (Western Electric Recording)
Aspect Ratio 1.37 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm