#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – David Allen Griffin is a cool killer- time and time again, he chooses a female victim, studies her for weeks till he knows her routine to the smallest detail, makes meticulous preparations using his forensic knowledge to gain entry when she’s quite alone, subdues her and administers a long, torturous death. Joel Campbell got so frustrated by his failure to capture Griffin in Los Angeles, that he quit the FBI, moved to Chicago, and remains in psychiatric therapy, unable to function normally. Then he realizes, when opening his mail very late, that a new murder victim is Griffin’s, and the killer sent him pictures of her. Campbell reports this to the police, but is unwilling to join them in the search, suggesting Griffin is too slick and clever; yet he won’t get out of it that easily.
Plot: FBI agent Joel Campbell, burnt-out and shell-shocked after years spent chasing serial killers, flees L.A. to begin a new life for himself in Chicago. But five months later, Joel’s best laid plans are abruptly cut short when his new hometown becomes the setting for some particularly gruesome murders–murders that could only have been committed by one man: David Allen Griffin. One of Joel’s most elusive and cunning nemeses, Griffin has followed his former pursuer to Chicago in order to play a sadistic game of cat and mouse. Taunting Joel with photographs of his intended victims and leaving his crime scenes meticulously free of clues in order to keep the police at bay, Griffin derives as much pleasure out of watching Joel react to every movement as watching his victims die. But when Griffin moves into Joel’s inner circle, Joel must quickly find some way to stop him before someone close to him becomes the next one to die.
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|5.3/10 Votes: 25,918|
|5 Votes: 317 Popularity: 14.71|
A prevailing thought while viewing The Watcher was that Keanu Reeves is an odd choice to play a lone wolf serial killer, but he actually suits it pretty well. The film itself is muddy and middle of the road, pitting haggard big city cop James Spader against Reeves’s beast who takes extreme pleasure in taunting him at every turn. This gets so bad that poor Spader has a breakdown, loses all hope and moves to a different city half across the country. Reeves just can’t seem to quit the game though, and follows him right over there for more murderous shenanigans. It’s your classic 90’s cop vs. killer tale, and for the most part it’s not bad. The bleak, nocturnal nightscapes help Reeves creep around and nab his victims as well as provide an oppressive urban atmosphere. It’s nice to see casting like this as far as the villain is concerned; so often these killers are played by eccentric, freaky looking character actors or go-to antagonist players, but by casting a golden boy leading man like Keanu they’ve upturned the trend and made the character more striking. Also, a chiselled babe like him is far more likely to believably lure off girls than some wild eyed, Gary Busey type you’d usually find here. Points for that too. The additional players add class, including Chris Ellis, Ernie Hudson and Marisa Tomei. This one won’t go down in history simply because it’s in dime-a-dozen territory. There’s just too too many cop/killer films from back then, and if one of them doesn’t have a key quality to make it stick and endure, it’ll fade into obscurity, like Reeves receding back into the inky night after a fresh kill. It’s not bad in itself though, if mostly just for him and the urban ambiance he stalks through.
The Watcher portrays the somewhat symbiotic relationship between hero and villain and it explores the peculiar means of communication that develop between the two.
After being identified and harassed by the elusive serial killer David Allen Griffin (Keanu Reeves), the distressed FBI agent Joel Campbell (James Spader) moves to Chicago from Los Angeles in order to secure his own safety and peace of mind. However, tormented by the anguish of past failures, Campbell is unable to ameliorate his physical and mental health and his bruised existence is again challenged by Griffin’s reappearance in Chicago. Amused and motivated by Campbell’s compassion toward all female victims, Griffin (who spies on lonely women and then kills them) heightens the stakes of his hide-and-seek game with Campbell by sending him a photograph of the intended victim of the day, thus testing his ability to save her. However, when Griffin’s final defiance involves Campbell’s psychologist (Marisa Tomei), the two test each other’s limits.
The Watcher follows its two main characters intimately, often detailing the mechanics of Griffin’s moves through Campbell’s point of view as an observer who must solve a mystery. By depicting Campbell’s dependence on painkillers, for example, The Watcher successfully transmits the deteriorated mental and physical state of this protagonistic character. The Watcher is most intriguing when it attempts to portray a society that –through its indifference– creates its own victims and delivers, so to speak, the loneliest and most vulnerable to their executioner. The Watcher uses this notion of people’s unwillingness to help and builds its suspense by simultaneously emphasizing the protagonist’s struggles to beat the murderer’s deadline. Furthermore, The Watcher successfully defines both protagonist and antagonist as “the watcher” of the other, thus suggesting a somewhat sado-masochistic bond between the two. In spite of this success, The Watcher relies on an excess of repeated flashbacks in the form of highly stylized, often blurry, shots that depict Campbell’s previous interaction with Griffin. This choice weakens The Watcher’s attempts to establish realism around both characters’ past connection, and loosens the otherwise tight pace of the plot.
The watcher hits on both a realistic level, and an entertaining level never before reached with a movie starring Keanu Reeves.
Original Language en
Runtime 1 hr 37 min (97 min)
Genre Crime, Drama, Mystery, Thriller
Director Joe Charbanic
Writer Darcy Meyers (story), David Elliot (story), David Elliot (screenplay), Clay Ayers (screenplay)
Actors James Spader, Marisa Tomei, Keanu Reeves, Ernie Hudson
Awards 2 nominations.
Production Company Universal Pictures, Interlight
Sound Mix DTS, Dolby Digital, SDDS
Aspect Ratio 1.85 : 1
Camera Panavision Cameras and Lenses
Film Length 2,756 m
Negative Format 35 mm, Video
Cinematographic Process Spherical
Printed Film Format 35 mm