#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Gus is a baseball scout. The team he works for thinks he should retire. He asks them to let him do one more scouting job to prove himself. His friend, Pete, asks Gus’s estranged daughter, Mickey, if she could go with him to make sure he’s OK as his eyes are failing. The doctor tells Gus he should get his eyes treated but he insists on doing his scouting assignment, which takes him to North Carolina. Mickey decides to put her work on hold to go with him and she wants him to explain why he pushed her away. Whilst there he runs into Johnny, a scout from another team who was a promising player Gus once scouted. Johnny and Mickey take an interest in each other.
Plot: Slowed by age and failing eyesight, crack baseball scout Gus Lobel takes his grown daughter along as he checks out the final prospect of his career. Along the way, the two renew their bond, and she catches the eye of a young player-turned-scout.
Smart Tags: #baseball #baseball_scout #baseball_game #kiss_on_the_lips #romantic_kiss #jumping_into_water #motel_room #busker #blurry_vision #pizza_delivery #baseball_star #fast_ball #baseball_player #girl_in_panties #white_panties #panties #driving #driving_a_car #car #convertible #buick_skylark
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A possible pioneer
It pains me to say that I’ve already heard many people say they will not be seeing Trouble with the Curve because of Clint Eastwood’s “antics” at the Republican National Convention just a few weeks ago. Their loss. Not being able to separate the man from the actor is something that took me a while to do, but the way some do it now is childish and immature. I wonder if those same people knew Eastwood was a Libertarian/Republican when he was playing “Dirty Harry.” Hard to believe it has been nineteen years since Eastwood himself acted in a film he has not directed. He lends the camera to Robert Lorenz, who assisted him in directing much of Eastwood’s filmography, including Flags of Our Fathers and the acclaimed Best Picture winner Million Dollar Baby. Lorenz’s captures screenwriter Randy Brown’s simple but uplifting, intimate story of a man’s devotion to a game and his brewing reconnection with his daughter he seemingly abandoned at a young age.
I’ll catch you up; Eastwood plays Gus Lobel, an elderly scout for the Atlanta Braves baseball team, who is becoming increasingly frail and ill-equipped with deteriorating eyesight. The Braves are losing faith in Gus’s abilities, because in recent years, baseball has been run more by computer predictions and online statistics rather than physically sitting in the stands and scouting. Gus doesn’t hold back on his hatred for computers, making them sound like limited fossils and being unable to predict more detailed outcomes. One wonders if he is mindlessly ranting or wouldn’t even like a computer if he knew how to use one.
Pete, played by John Goodman, on a roll now with winning films, is Gus’s close friend who is convincing the Braves’ organization that despite Gus’s poor eyesight, that he is an invaluable asset and needs to stay. He recruits Gus’s daughter, Mickey (Amy Adams), to assist him in scouting a young prodigy in North Carolina, who currently plays for a high school team. Mickey’s mother died when she was young and shortly after, Gus sent her to live with relatives whom she barely knew. During the scouting trip, Mickey winds up meeting one of Gus’s friends whom he used to scout back in the day, named Johnny “The Flame” Flanagan (Justin Timberlake), for his one-hundred mile-an-hour fastball. We can see where this is headed.
We can see where much of the film is headed throughout its runtime but it’s scarcely a burden because the warmth and bold character study on three of 2012’s most interesting characters is a soothing and efficient one. Eastwood turns in the racism and foul rants he expertly utilized in Gran Torino for some nuanced anger as Gus, and as always, comes off as charismatic and effortlessly likable. Amy Adams does some fine work here, showing us that she is an up-and-coming female actress that is going under the radar, somewhat like Emily Blunt, and fearlessly plays the role of a woman in desperate need of answers, which her father will not give her. And Justin Timberlake continues to show is versatility and heart playing a totally different character from his last one and hitting every note properly.
It would appear that screenwriter Aaron Sorkin could have possibly started a new trend with sports films that was seldom seen before his film Moneyball, and that trend is centering a story around a sport but making the center the characters and not the on-field theatrics. Never are we truly consumed in the story of this young scouter, but we shouldn’t be. And never were we truly gripped by the Oakland Athletics players in Moneyball – mainly because we never saw them play or were even formally acquainted with them. Both films center around the same sport, but ones’ agenda is to show the gritter business side of baseball, while the other is the story of a father and daughter reconnecting with the sport in the foreground. With both films, it’s needless to say, I’m all for this brewing trend.
Starring: Clint Eastwood, Amy Adams, Justin Timberlake, Matthew Lillard, and John Goodman. Directed by: Robert Lorenz.
Eastwood is not the director here
“Now get out of here before I have a heart attack trying to kill you.” That is my favorite line from the 80 something Clint Eastwood in this movie Trouble with the Curve. The movie is sport drama, that is kind of predictable and it does drag, that you can actually get up, go to the toilet get back and still not have missed anything. This is Eastwood’s first acting role since 2008’s Gran Torino and his first acting role in a movie where he is not the director since 1993’s In the Line of Fire.
The great thing about this movie is Clint Eastwood; his years of acting and directing made it easy for him to flow with the other actors, and making him the principal person to look out for when you do decide to watch this flick.
The movie plot is about an old retiring baseball scout Gus (Clint Eastwood) who is about to finish up his contract in 3 months, Gus eyes are failing him and his old time friend Pete (John Goodman) calls up his daughter Mickey (Amy Adams) to keep an eye on her father.
Mickey who is very busy, had to break away from her demanding work to go be with Gus and together they go scouting where they met Johnny (Justin Timberlake) a former player that Gus scouted out.
Not much of a big fan of Timberlake’s acting, his performance in In Time (2012) is the best I have seen him in till date, here is just a supporting actor running around being a pest. The love story or romance perpetuated in this movie is too shallow, if this is how easy it is to fall in love, then I will tie myself to my wife everywhere she goes. (Note: there was no adulterous act in the movie)
The movie’s high point will be the locations, the movie was filmed in various locations giving it the rich feel like you are traveling with a scout, and it does pull up the question of man vs machine, which will triumph. In the other baseball based sport drama Moneyball (2012) which starred Brad Pitt, machine seems to be the victor; here man seems to be the victor, so I guess the fight continues.
Trouble with the Curve, shows why scouts are always needed to help scout out talents, there can see things that your computer can, while the computer runs on statistics and calibration, the eyes and ears rely on fact and observation. Trouble with the Curve is an OK drama, but you have not missed much if you haven’t seen it.
Original Language en
Runtime 1 hr 51 min (111 min)
Genre Drama, Sport
Director Robert Lorenz
Writer Randy Brown
Actors Clint Eastwood, Chelcie Ross, Raymond Anthony Thomas, Ed Lauter
Awards 2 wins & 1 nomination.
Production Company Malpaso Company
Sound Mix Dolby Digital, Datasat, SDDS
Aspect Ratio 2.39 : 1
Camera Panavision Panaflex Millennium XL2, Panavision C- and E-Series Lenses, Panavision Panaflex Platinum, Panavision C- and E-Series Lenses
Laboratory Technicolor, Hollywood (CA), USA (color and prints) (digital intermediate)
Film Length 3,039 m (Portugal, 35 mm), 3,045 m (6 reels)
Negative Format 35 mm (Fuji Eterna Vivid 160T 8543, Eterna Vivid 500T 8547)
Cinematographic Process Digital Intermediate (2K) (master format), Panavision (anamorphic) (source format)
Printed Film Format 35 mm (Kodak Vision 2383), D-Cinema