#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – A mythic motorcycle tale of father and son”, this is the story of Manuel Galloway, also known as “the King of Cali”, the president of a motorcycle club whose members are all African-American men, mostly white-collar workers who exchange their suits and ties at night and on weekends for leather outfits and motorcycle helmets. The focus of this story takes place at an annual drag-racing event in Fresno, as Manuel tries to retain his championship title.
Plot: A mythic motorcycle tale of father and son”, this is the story of Manuel Galloway, also known as “the King of Cali”, the president of a motorcycle club whose members are all African-American men, mostly white-collar workers who exchange their suits and ties at night and on weekends for leather outfits and motorcycle helmets.
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|4.7/10 Votes: 12,833|
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Half-decent plot buried under a squidfest
I’m sure there’s a Greek tragedy or Shakespeare play with the same basic premise: Son aspires to be one of the great princes instead of a courtier, son loses father, son disappears, only to return as the heir apparent to the Prince’s crown and all that…. such a plot has such promise.
But when you bury it under a bunch of expensive sportbikes, T&A shots, and juvenile stunts… blech!
As a moviegoer, I thought this was barely worth the matinee price. As a Shakespeare fan, I thought it overdone, washed out. As a motorcyclist, I thought it shameful (Passengers in shorts, spaghetti-strap tops, and heels? Racing w/o helmets? Stunting on a public freeway, in traffic, at night? These are NOT the role models you were looking for…) I will point out that a FEW lines in the movie did hint to the dangers of riding, especially ‘extreme’ riding. The crashes were definitely hopped up (not sure if a 500 lb superbike would sail spinning thru the air like a frisbee…) but no punches were pulled as to how badly you can get hurt on these things if you’re not careful and FOCUSED. And Fishbourne’s character, although definitely the most bad-ass in the whole bunch, showed how far skill, finesse, and restraint will go beyond blind luck, guts, and adrenaline. That is to say, he was on top the whole time, even to the last frame.
With the budget this film had (pretty much, the bikes alone are each worth 20G’s or more) they COULD have made something with more emotional impact, more story, and a LOT less gratuitous teenage hormone inducer. So, if you see this movie, resist the impulse to go out and get a bike. The real world ain’t like this at all. Riding like this in the real world will get someone (probably YOU) killed.
not good, not terrible
The days of Harley-Davidsons mastering the road are over. Nowadays color and plastic coat the fastest and most coveted motorcycles in the land, and `Biker Boyz’ heralds the passing with unrestrained glee.
Set among African-American biker clubs in Southern California, the film follows Kid (Derek Luke), a prodigious young motorcycle racer, in his quest for the title of `King of Cali,’ currently held by Smoke (Lawrence Fishburne), leader of the Black Knights bike club. Smoke hesitates in accepting Kid’s challenges, citing that Kid is not a member of a legitimate club. In one scene, Kid addresses Smoke’s assistant with anger and frustration: `Are you racing? Or are you just blowin’ smoke?’ Kid begins his own club (the aptly named `Biker Boyz’) and sets out for the crown of fastest biker. The rest of the film follows a sort of formula we have seen before, with the underdog taking on the inhumanly skilled antagonist at the end. Though the plot is weak, the talent both onscreen and off push the film into something the script alone could not hold. The actors, for the most part, excel in their respective roles. Fishburne turns what may have been a trivial role into one exuding sincerity and masculinity, holding to an effectively pensive and reserved demeanor. His presence on the screen legitimizes the film as not just another `Days of Thunder.’ Fishburne’s charisma must have extended to the rest of the cast, as even Kid Rock, who made his film debut in 2001’s deplorable `Joe Dirt,’ portrays his character with gusto and road-wise scruffiness. Director Reggie Rock Bythewood makes his presence felt in the film. Bythewood made a splash at Sundance a few years ago with his debut `Dancing in September.’ With `Biker Boyz,’ he manages to pull off something slightly extraordinary: he makes motorcycle racing entertaining. The camera freewheels around smoking tires, colorful racing suits and bouncing nightclubs with dizzying ease. His film is loosely based on a feature from the Los Angeles New Times on the biking subculture in California, and Bythewood tries to bring a sense of biker culture to the screen. The nonfiction foundation of the film shines through, displaying a bizarre sense of camaraderie between cyclists similar to that of a fraternal order.
Despite its basically inane premise, the movie is not all bad. The poor title and plot outline summons memories of `Rollerball’ and the like, but do not be deceived. `Biker Boyz’ inspires some sense of genuine excitement and intrigue. As entertainment, it works on the same level as last year’s `Spider-Man.’ It cannot be praised as a piece of art, but the craftsmanship of the film is undeniable, which grants it a begrudged recommendation.
Original Language en
Runtime 1 hr 50 min (110 min), 1 hr 50 min (110 min) (Argentina)
Genre Action, Drama
Director Reggie Rock Bythewood
Writer Michael Gougis (article), Craig Fernandez, Reggie Rock Bythewood
Actors Laurence Fishburne, Derek Luke, Orlando Jones, Djimon Hounsou
Production Company 3 Arts Entertainment
Sound Mix DTS, Dolby Digital, SDDS
Aspect Ratio 1.85 : 1
Camera Panavision Cameras and Lenses
Laboratory Technicolor, Hollywood (CA), USA
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm (Kodak Vision 2383)