#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Parole officer Jack Mabry (Robert De Niro) has only a few weeks left before retirement and wishes to finish out the cases he’s been assigned. One such case is that of Gerald “Stone” Creeson (Edward Norton), a convicted arsonist who is up for parole. Jack is initially reluctant to indulge Stone in the coarse banter he wishes to pursue and feels little sympathy for the prisoner’s pleas for an early release. Seeing little hope in convincing Jack by himself, Stone arranges for his wife, Lucetta (Milla Jovovich), to seduce the officer, but motives and intentions steadily blur amidst the passions and buried secrets of the corrupted players in this deadly game of deception.
Plot: Parole officer Jack Mabry has only a few weeks left before retirement and wishes to finish out the cases he’s been assigned. One such case is that of Gerald ‘Stone’ Creeson, a convicted arsonist who is up for parole. Jack is initially reluctant to indulge Stone in the coarse banter he wishes to pursue and feels little sympathy for the prisoner’s pleads for an early release. Seeing little hope in convincing Jack himself, Stone arranges for his wife to seduce the officer, but motives and intentions steadily blur amidst the passions and buried secrets of the corrupted players in this deadly game of deception.
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|5.4/10 Votes: 40,395|
|5.3 Votes: 466 Popularity: 13.833|
Disappointing, genre-confused story
Filmmaking 101 has a rule; wait, Art 101 has a rule: Know your genre. A drama can have comic relief, but that works only in the framework of the genre that’s been established. Comedies can have their dramatic, emotional moments, but if they then turn into dramas, audiences are confused and disappointed. If a screenwriter and director can’t even tell their story competently within the confines of the genre they first set up, their movie will fail.
Yes, Stone is well acted. So what? Do you go to the movies to see good acting class exercises? If so, check this movie out. Norton and De Niro are entertaining, early on at least, and there’s sharp dialog they have to work with (how else could they do their jobs? Don’t you love people who praise the acting without acknowledging the script?)
But the story – the real reason most of us venture out to see a film – in Stoner is a mess. The movie starts off essentially as a thriller. The plot sets up a con working a con, with his sexy wife, on a prison case officer. But after putting the movie is thriller mode the movie then tries to be a drama about the meaning of life and presence of God. The movie tries to turn its main plot with the wife into a subplot, and then pretend that fun, salacious venture wasn’t really what the movie wanted to deal with. No, let’s talk about the meaning of life.
Stone, then, is a disappointment. Even as a drama it fails: the story dissipates into ambiguity with regard to the final action. POVs have jumped around all throughout the movie but in not showing us the final resolution between Stone and his wife, the whole fulcrum of the movie is left blank. As for the transformation of Stone – something Norton tries to act by occasionally calming his voice and widening his eyes – it’s unbelievable, not fully formed or demonstrated and, like the rest of the movie, a pretentious attempt to take a fun dime-store novel’s story and make it profound.
Don’t waste your time or money with this one. If you have to see it, wait for video. The movie is shot in TV-like close-ups for the most part and it will play just as well there.
I wish I got a story rather than messed up characters and a meaningless climax
“Stone” is a messed up film. I would like to say that I don’t know what the story was about, but that’s not really true as it was a very simplistic plot. Edward Norton is a convicted criminal up for parole, overseen by parole officer Robert De Niro. It’s not so much that the story is hard to understand, more so that nothing actually happens.
It’s dialogue-heavy as Norton philosophizes his way to freedom, and it’s supposed to be character-rich as we watch De Niro try to remain sane as both Norton and his wife Milla Jovovich work their angles on him. But these are just messed up characters that I knew less about at the end than I did at the beginning. The film has clear problems when the only somewhat likable character is the guiltless criminal Norton. But I would say it’s bigger problems are with the fact that it’s supposed to be a thriller, but all you have is De Niro and Norton jabbering back and forth until nothing is clear and very little of consequence or action occurs. There is even a religious undertone to the whole film, but I have no idea what they were trying to say with that.
I’m sure De Niro and Norton deliver great performances as they always do, but when their characters are poorly written and make no sense, you can’t watch a film for the acting. The director was overly concerned with detail, framing every scene and adding nuance to each shot, which is great in some films, but in “Stone”, it would have served him better to just try and tell a story from beginning to end.
Original Language en
Runtime 1 hr 45 min (105 min)
Genre Drama, Thriller
Director John Curran
Writer Angus MacLachlan
Actors Robert De Niro, Edward Norton, Milla Jovovich, Frances Conroy
Production Company Mimran Schur Pictures, Holly Wiersma
Sound Mix Dolby Digital, SDDS, DTS
Aspect Ratio 2.35 : 1
Camera Panavision Camera
Laboratory DeLuxe, Los Angeles (CA), USA, Grace & Wild Inc., Farmington Hills (MI), USA, LightIRON Digital, Los Angeles (CA), USA (digital intermediate)
Film Length 2.87 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak Vision2 200T 5217, Vision3 500T 5219)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (source format)
Printed Film Format 35 mm (anamorphic) (Fuji)